Acknowledgement
Sound samples are used by the permission of Hungaroton Records, BMCBBCC and the composers.
Copyright information

Please note that it is illegal to photocopy copyright protected music without the permission of the copyright holder.

To photocopy is to deprive the composer/author of his rightful income for his intellectual property.

Need help?

If you can't find what you're looking for, please contact our sales team

Phone: +36 1 2361-104

Email: info­@­emb.hu

Welcome!

We think you are from United States. If not, please select your country.
The country setting is indispensable for showing you valid prices and shipping costs.
Thank you!
 
If you can't close this box, you probably don't have "cookies" enabled in your browser.
Follow these instructions to enable "cookies" in your browser.
Scoring Abbreviations
Price: $175.00 (Excl. VAT)
Online availability: In stock
Store availability: Available to order

Balázs Árpád: Concertino

for concert band

score and parts

Setting: Concert Band
Instrumentation: picc, 4 fl1, 4 fl2, ob1, ob2, 4 cl1 Bb, 4 cl2 Bb, 4 cl3 Bb, 2 cl b Bb, fg1, fg2, 2 sax a Eb, 2 sax t Bb, sax bar Eb - 2 crnt1 Bb, 2 crnt2 Bb, 2 tr1 Bb, 2 tr2 Bb, 2 tr3 Bb, cor1, cor2, cor3, cor4, 2 trb1, 2 trb2, 2 trb3, 2 flic t Bb/C, 2 euf Bb/C, 2 euf Bb, 2 tb1, 2 tb2 - timp, tamb mil, ptti, gr c
Series: EMB Concert Band Series
Genre: Band Music
Period: Contemporary Music
Grade: 4
Duration: 8:35
Length: 262 pages
Published: July 2014
Publisher: Universal Music Publishing Editio Musica Budapest
Item number: 14909SET
Other reference: 14909
ISMN: 9790080305287
With its energetic impetus and imposing instrumentation, Concertino is certainly outstanding in the oeuvre of Árpád Balázs. Among his compositions for concert band, it is by far the most engaging and exacting work. Passing away and a will to live are simultaneously present in Concertino, which Árpád Balázs composed in memory of his beloved father. Its structure brings Liszt’s Hungarian Rhapsodies to mind: its solemn opening, which returns at the end,is followed by a slow and a fast movement. The funereal music of the slow movement evolves from a motif of Bach’s St. Matthew Passion with enormous intensification equal to the lament in Grieg’s Peer Gynt. It is difficult to imagine a dramatic incandescence with a higher degree of heat. The heartbeat-imitating timpani features significantly at the beginning and the end of the funereal music. The fast movement represents resolution, resignation and regainedgaiety. This part, pulsating like a waltz and echoing the modulation technique of Richard Strauss, is followed by the solemn return of the opening chords.Whether playing or listenting to this tremendously soul-stirring music, you will all encounter a dramatic experience.