After his 15 Hungarian Peasant Songs (HN 1404), these improvisations are the second of Bartók's works to feature the words Hungarian peasant songs in their title. The manner in which he confronts folk melodies with subtle,avant-garde sounds here was later described by Bartók himself as venturing to the outermost limits. He also breaks up the song structures so radically into their constituent motives that the title improvisations best conveys hisapproach to this folk music. The musical text of t