Le parcours des œuvres musicales, de l’auteur à l’interprète
La mission d’un éditeur de musique est de transformer les manuscrits, qu’ils soient sur papier ou sous forme numérique, en partitions lisibles, inspirantes et faciles à utiliser pour les interprètes, ainsi que d’assurer la promotion, la diffusion et l’utilisation légale des œuvres.
Forts de 75 ans d’expérience, nous accomplissons cette noble mission avec soin, engagement et enthousiasme.
Nous remercions les compositeurs et les professeurs de musique qui nous confient leurs œuvres.
Orbán, György
György Orbán (born 12 July 1947 in Târgu Mureș, Romania) is an internationally recognised composer whose music is rooted in Hungarian folk traditions, often blending characteristic national idioms with grotesque, humorous, and at times satirical elements. His early works were influenced by avant-garde trends, but his style later took a neo-Romantic turn. He frequently evokes the sound and formal ideals of earlier periods in music history. A defining feature of his music is its naturally appealing sonority and its sense of classical balance and proportion. In addition to his stage works, oratorios, instrumental and vocal compositions, he has also composed film scores and incidental music for the theatre.
He studied composition between 1968 and 1973 at the Music Academy in Cluj-Napoca with Sigismund Toduţă and Max Eisikovits, and music theory with Jagamas János. From 1973 to 1979, he taught music theory and counterpoint at the same institution. After moving to Hungary, he worked as a music editor at Editio Musica Budapest from 1979 to 1990, and from 1982 he served as professor of music theory and composition at the Franz Liszt Academy of Music.
His work has been recognised with several awards, including the Bartók–Pásztory Prize (1991), the Erkel Prize (2002), the Artisjus Prize (2005), and the Kossuth Prize (2014).
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