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Prix: $29.95 (excl. TVA)
Duos de niveau avancé
avec instruments au choix
partition et parties
Choisi, transcrit et edité par Soós András – Zempléni László
Instrumentation: Duos a formations variées, Duos de cordes, Duos de vents
Instrumentation: Ia - cl. in Sib, Ib - vla, sass. alto in Mib, IIa vl/vibr./marimba, vla, cl. in Sib, IIb - vlc/fg
Collection: Ad libitum
Genre: Pieces pédagogiques
Pages: 76 pp
Format: 23 x 30,2 cm (Bach)
Poids: 0.316 kg
Date du parution: 1 février 2014
Editeur: Editio Musica Budapest Zeneműkiadó
Numéro d’édition: 14862
ISMN: 9790080148624
The volume of duos for advanced players contains pieces or parts of compositions which are longer and more difficult than in the previous volume. They are often to be played in high positions and sometimes involve several movements. They include such special compositions as The Swallow by Louis-Claude Daquin, Romance & Rondo by Jacques Féréol Mazas and two canons by Max Reger.
This publication is printed on high quality, durable paper made from renewable raw materials in an environmentally friendly way.
Contenu | ||
|---|---|---|
| 1. | Bach, Johann Sebastian: Bourrée (Ouvertüre nach französischer Art, BWV 831) | |
| 2. | Telemann, Georg Philipp: Fantasia (36 Fantaisies pour le clavessin, TWV 33, No. 13) | |
| 3. | Daquin, Louis-Claude: L'Hirondelle (Pieces de clavecin, Premier livre, 1735, Deuxieme suite, No. 6) | |
| 4. | Bach, Carl Philipp Emanuel: Allegro | |
| 5. | Bach, Carl Philipp Emanuel: Marche (H 1, No. 3) | |
| 6. | Haydn, Franz Joseph: Allegro (Sonate in C, Hob. XVI:15) | |
| 7. | Mozart, Wolfgang Amadeus: Deux duos (12 Duos für zwei Hörner, K 487 (496a), Nos. 4, 1) | |
| 8. | Mazas, Jacques-Féréol: Romance et Rondo (39 Violin duos, Op. 85, Nos. 14/II, 12/III) | |
| 9. | Reger, Max: Canon en miroir et canon (111 Canons durch alle Dur- und Molltonarten, Heft I, Nos. 57, 55) | |
Ad libitum
The main draw of the "Ad libitum" series, per its title, is that it’s full of a variety of pieces which can be performed using flexible instrumentations so that string, woodwind, and percussion instrumentalists can freely enjoy collective music making together.
