In Árpád Balázs's diverse and varied oeuvre, works for wind orchestra play a prominent role alongside choral music. He composed the Elgar Variations in 2022 on the theme of one of Edward Elgar's (1857-1934) short early works (Love's Greetings, 1888).

As Árpád Balázs writes ''The theme I used as the starting point for my work may already be considered a variation, since I 'peeled off' the dense ornamentation and the tonicisations from it, and what remained was the melody, beautiful in its own place. What come back from time to time from the theme in the variations are: the arched structure, the double peak point, and mostly the major sixth leaping downwards, then upwards. The modest, transparent orchestration, which then is amplified at the repetition of the theme is also a defining feature.

There is a personal family secret hidden in the third variation: a late compliment to a loyal spouse for the past half century... The closing variation is calm and quiet - similarly to the chorale-like slow movement in Béla Bartók's 3rd Piano Concerto. It is like a message from an old composer to the Future.''

Buzzing Polka, composed in 1993, is one of the earliest compositions by László Dubrovay (*1943) for concert band, which has become a huge success due to use of special timbres and effects which had been unexploited in the genre earlier.

Already the title tells that classical musical values and surprising moments of special brass instrument techniques can be both found in the work. Every second in the striking character piece is made interesting by the excellent balance between the pillar-like harmonies enriched by distant overtones and horizontal melody formation.

Performing Buzzing Polka is a great opportunity for conveying the message and values of the music of the 20th and 21st centuries through the contrast between classical melodies and new ways of instrumentation.

László Dubrovay's work, written in 2006, on the 250th anniversary of Mozart's birth, is a salute of a 21st-century composer to one of the greatest geniuses in the history of music.

The composer builds his original ideas on one of the best-known melodies of The Marriage of Figaro (Figaro's aria: ''Non pi? andrai, farfallone amoroso''). The series of variations on the theme of the aria is created by the involvement of special instruments, and by fully harnessing their technical abilities, while Dubrovay's hallmark of a perfect balance and peculiar compositional tone is realised on an exceptionally large orchestra.

The work is suited to illustrate the potentials of crossovers between different periods in the history of music, but it can also be played at a festive, thematic concert.

Kuruc Scenes
for tárogató or soprano saxophone and concert band

The composer uses melodies from the early 18th century, from the age of Rákóczi's war of independence. 

Rhapsody
for cimbalom or marimbaand concert band

Rhapsody follows the one-movement structure created by Franz Liszt. The Rhapsody is a passionately emotional lyric orchestral poem rich in colours and characters, which has a place on the repertoire of every concert band playing quality music. 

Publisherd by Universal Music Publishing Editio Musica Budapest