Copyright information

Please note that it is illegal to photocopy copyright protected music without the permission of the copyright holder.

To photocopy is to deprive the composer/author of his/her rightful income for his/her intellectual property.

Need help?

If you can't find what you're looking for, please contact our sales team


Phone:+386 31 428 189

Email: info­@­moje-note.com

Phone: +36 1 2361-104

Email: info­@­emb.hu

More numbers...

Dobrodošli!

Prosimo izberite vašo državo.
Nastavitev države je pomemna za prikaz pravih cen in stroškov dostave.
Hvala!
 
V kolikor ne morete zapreti tega okvira, verjetno v vašem brskalniku nimate omogočenih
Za vključitev

Bartók Béla: Works for Piano 1914-1920

Complete Edition with critical report, clothbound, Band 38

Edited by Somfai László
Zasedba: Piano
Serija: Béla Bartók Complete Critical Edition
Zvrst: Complete Edition
Obdobje: 20th Century
Jezik: Hungarian, English, German
Število strani: 338 strani
Leto izdaje: Marec 2019
Založba: G. Henle Verlag - Editio Musica Budapest
Številka artikla: 15038
Založniška številka: HN6202
ISMN: 9790201862026
The third volume in the Complete Edition contains Bartók's works for piano solo composed between 1914 and 1920. Bartók's pianistic oeuvre from the years of World War I span a broadly varied spectrum; in addition to simple arrangements of folk music (15 Hungarian Peasant Songs, Sonatina) and original pieces for the concert podium (Suite, op. 14), we find Bartók's audaciously innovative Etudes (op. 18) inspired by Liszt, as well as Improvisations (op. 20), perhaps his most abstract and original folk music adaptations.

The appendix of the volume reproduces movements originally intended for, but eventually discarded from, Suite and 15 Hungarian Peasant Songs, as well as all original sources for the folk-inspired pieces. The introductory essays in English, Hungarian, and German not only explore the genesis and reception of the works more thoroughly than ever before, but also orient the reader in issues of notation and performance. The critical commentary presents all manuscript and print sources of the works in detail (including folk music sources), it documents the compositional processes and surveys the range of textual variants and problems.