Organ and Keyboard Music at the Salzburg Court 1500 - 1800
playing score
Our edition contains organ and clavier music by composers active at the Salzburg court from the early 16th century to the end of the archbishopric in 1803. Siegbert Rampe has chosen valuable and technically not too demanding pieces, mostly from previously unpublished sources , that can be used in church services or concert performances. The works are notated on two or three staves so that there is material galore for the harpsichord or positive organ.
- Easy to moderately difficult organ music for church or concert performance
- Valuable compositions from the heyday of the Salzburg court
- Mostly first publications, edited by Siegbert Rampe
In the autumn of 1923, a young man produced the first music editions of his newly founded publishing house in his parents’ living room. He named his company Bärenreiter. In the spring of 1924 when Karl Vötterle came of age, he was able to register it with the German Publishers and Booksellers Association. At first, he mainly put out folk song collections, church as well as organ music including early music by Leonhard Lechner and Heinrich Schütz, at the time primarily known in specialist circles.
During the last months of the Second World War, the publishing house in Kassel was destroyed and once more a fresh beginning had to be made. With the start of the extensive German music encyclopaedia MGG – "Musik in Geschichte und Gegenwart" – as well as numerous series of scholarly-critical complete editions such as the “New Mozart Edition” and the “New Bach Edition”, the visionary founder of the publisher created the basis for the further development of Bärenreiter. The musicological editions increasingly aroused interest abroad, and Bärenreiter found itself on an expansion course.
When Karl Votterle died in 1975, his daughter Barbara took over the helm, supported by her husband Leonhard Scheuch. Under their leadership, the catalogue grew significantly and the brand BÄRENREITER URTEXT was established. Finally, in 2003, their son Clemens Scheuch joined the publisher which today he is managing together with his parents. Thus Bärenreiter has remained a family business to this day and has become a company of international standing in the world of classical music.
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