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Organ and Keyboard Music at the Salzburg Court 1500 - 1800

playing score

Edited by Rampe, Siegbert
存款: Organ, Piano, Harpsichord
语言: English, German
难度: 3
页数: 100 页
Weight: 0.345 kg
出版者: Bärenreiter
刊物代码: BA8499
其他出版代码: BA08499
ISMN: 9790006527472
Until its dissolution in 1803, the Prince-Archbishopric of Salzburg had a rich musical tradition centered on composers of the stature of Paul Hofhaimer , Heinrich Ignaz Franz von Biber , Georg Muffat , Leopold Mozart, Michael Haydn, and of course Wolfgang Amadeus Mozart.
Our edition contains organ and clavier music by composers active at the Salzburg court from the early 16th century to the end of the archbishopric in 1803. Siegbert Rampe has chosen valuable and technically not too demanding pieces, mostly from previously unpublished sources , that can be used in church services or concert performances. The works are notated on two or three staves so that there is material galore for the harpsichord or positive organ.
- Easy to moderately difficult organ music for church or concert performance
- Valuable compositions from the heyday of the Salzburg court
- Mostly first publications, edited by Siegbert Rampe
100 Years of Bärenreiter

In the autumn of 1923, a young man produced the first music editions of his newly founded publishing house in his parents’ living room. He named his company Bärenreiter. In the spring of 1924 when Karl Vötterle came of age, he was able to register it with the German Publishers and Booksellers Association. At first, he mainly put out folk song collections, church as well as organ music including early music by Leonhard Lechner and Heinrich Schütz, at the time primarily known in specialist circles.

During the last months of the Second World War, the publishing house in Kassel was destroyed and once more a fresh beginning had to be made. With the start of the extensive German music encyclopaedia MGG – "Musik in Geschichte und Gegenwart" – as well as numerous series of scholarly-critical complete editions such as the “New Mozart Edition” and the “New Bach Edition”, the visionary founder of the publisher created the basis for the further development of Bärenreiter. The musicological editions increasingly aroused interest abroad, and Bärenreiter found itself on an expansion course.

When Karl Votterle died in 1975, his daughter Barbara took over the helm, supported by her husband Leonhard Scheuch. Under their leadership, the catalogue grew significantly and the brand BÄRENREITER URTEXT was established. Finally, in 2003, their son Clemens Scheuch joined the publisher which today he is managing together with his parents. Thus Bärenreiter has remained a family business to this day and has become a company of international standing in the world of classical music.

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