Scarlatti, Domenico: 200 Sonate per clavicembalo (pianoforte) 1

Parte prima (No. 1-50)

Edited by Balla György

Instrument: Pian

Serie: EMB Urtext

Perioada: Baroque

Limba: Hungarian, English, German

Intindere: 184 pagini

Format: 23 x 30,2 cm (Bach)

Greutate: 0.549 kg

Publicat pentru prima data: AMCETi

Editor: Editio Musica Budapest Zeneműkiadó

Numar articol: 7817

ISBN: 9790080078174

The sonatas are not grouped according to their degree of difficulty, they are given in the order which corresponds with the Kirkpatrick numbering. This is approximately identical with the order in which they were composed. In this way it became possible for the pairs of sonatas included in the selection to be placed closely after one another. Apart from inevitable minor alterations this edition follows the original text and its markings exactly. This does not apply to the fingering which is entirely an editorial addition. (In the original there is no fingering.)

An ABRSM syllabus title, 2013-14, Grade 6.

Continut
1.	K 1, L 366
2.	K 9, L 413
3.	K 11, L 352
4.	K 20, L 375
5.	K 24, L 495
6.	K 25, L 481
7.	K 26, L 368
8.	K 27, L 449
9.	K 29, L 461
10.	K 30, L 499
11.	K 37, L 406
12.	K 43, L 40
13.	K 51, L 20
14.	K 52, L 267
15.	K 53, L 261
16.	K 55, L 335
17.	K 64, L 58
18.	K 69, L 382
19.	K 72, L 401
20.	K 78, L 75
21.	K 82, L 30
22.	K 96, L 465
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24.	K 102, L 89
25.	K 103, L 233
26.	K 106, L 437
27.	K 107, L 474
28.	K 113, L 345
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30.	K 119, L 415
31.	K 120, L 215
32.	K 121, L 181
33.	K 122, L 334
34.	K 124, L 232
35.	K 125, L 487
36.	K 129, L 460
37.	K 132, L 457
38.	K 133, L 282
39.	K 140, L 107
40.	K 141, L 422
41.	K 145, L 369
42.	K 146, L 349
43.	K 148, L 64
44.	K 149, L 93
45.	K 150, L 117
46.	K 151, L 330
47.	K 154, L 96
48.	K 155, L 197
49.	K 158, L 4
50.	K 159, L 104

EMB Urtext Series

The volumes of this series go back to the contemporary sources and attempt to come as near as possible to the composers' original intentions, stripping the works of the frequently arbitrary editorial markings which they became burdened with over the course of several decades. The necessary emendations and information on techniques are distinguished unambiguously from the original music text. The use of urtext editions appear as basic requirements on the part of music teachers and performers alike.