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Digital edition

Notenbüchlein für Anna Magdalena Bach

Edited by Sulyok Imre
Instrument: Pian
Serie: EMB Urtext
Gen: Pedagogical performance pieces
Limba: Hungarian, English, German
Intindere: 28 pagini
Format: 23 x 30,2 cm (Bach)
Greutate: 0.113 kg
Publicat pentru prima data: AMCETi
Editor: Editio Musica Budapest Zeneműkiadó
Numar articol: 7487
ISBN: 9790080074879

Two manuscript collections survive from the estate of Johann Sebastian Bach's second wife, Anna Magdalena. One of these dates from 1722, and one from 1725. The music they contain is very varied: alongside Johann Sebastian's own pieces there are dance and song movements that can be ascribed to his contemporaries, and also works of doubtful authorship.

This publication includes the instrumental pieces from the two collections that do not feature in sets of pieces such as the French Suites. The editors have not added performance indications to the musical text, and fingering is suggested only in the more difficult passages.

This publication features in the Hungarian curriculum for preliminary level education in the arts. The pieces can be used as teaching material in the third and fourth years of learning the piano.

Continut

1.
Bach, Johann Sebastian: Jesu, meine zuversicht, BWV 728
2.
Menuet, BWV 841
3.
Menuet, BWV Anh. 113
4.
Menuet, BWV Anh. 114
5.
Menuet, BWV Anh. 115
6.
(Fr. Couperin) (Rondeau) BWV Anh. 183
7.
Menuet, BWV Anh. 116
8.
Polonaise, BWV Anh. 117b
9.
Menuet, BWV Anh. 118
10.
Polonaise, BWV Anh. 119
11.
Wer nur den Lieben Gott lässt walten
12.
Menuet, BWV Anh. 120
13.
Menuet, BWV Anh. 121
14.
(Ph. E. Bach) Marche, BWV Anh. 122
15.
(Ph. E. Bach) Polonaise, BWV Anh. 123
16.
(Ph. E. Bach) Marche, BWV Anh. 124
17.
(Ph. E. Bach) Polonaise, BWV Anh. 125
18.
Menuet fait par Mons. Böhm
19.
Musette, BWV Anh. 126
20.
Marche, BWV Anh. 127
21.
(Polonaise) BWV Anh. 128
22.
(Ph. E. Bach) Solo per il cembalo, BWV Anh. 129
23.
Polonaise, BWV Anh. 130
24.
(Andante) BWV Anh. 131
25.
Menuet, BWV Anh. 132
EMB Urtext Series
The volumes of this series go back to the contemporary sources and attempt to come as near as possible to the composers' original intentions, stripping the works of the frequently arbitrary editorial markings which they became burdened with over the course of several decades. The necessary emendations and information on techniques are distinguished unambiguously from the original music text. The use of urtext editions appear as basic requirements on the part of music teachers and performers alike.
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Acknowledgement
Sound samples are used by the permission of Hungaroton Records, BMCBBCC and the composers.
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