Bärenreiter Piano Album. Baroque
playing score
In the Baroque Era, the term &ldquo,clavier&rdquo, referred to all keyboard instruments: virginal, clavichord, harpsichord, fortepiano, and others. The Bä,renreiter Baroque Piano Album presents arepresentative selection of the major forms of Baroque clavier music from England , Italy , France and Germany .
The anthology is divided into these four countries and illustrated with pictures of historical instruments toconvey an impression of music making in the country
Zawartość | ||
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1. | Aften i havnekvarteret | |
2. | Almagts Gud, velsignet var | |
3. | Credo | |
4. | Da byggede de af sten | |
5. | Da abnedes deres ojne | |
6. | Dag gik pa hald | |
7. | Den store, stille nat gar frem | |
8. | Drag, Jesus, mig dog efter dig | |
9. | Du leved vore dage | |
10. | Folkevise | |
11. | Forar, markelige forar | |
12. | Frygt ikke | |
13. | Gloria | |
14. | Guds menighed, syng | |
15. | Guld, ild, tankes fest | |
16. | Har du no'nsinde provet at sove | |
17. | Hvor er din bolig vidunderlig | |
18. | Hojt ligger pa marken den hvide sne | |
19. | Jeg venter dig, Herre | |
20. | Jeg vil lofte frelsens bager | |
21. | Jeg ville ha' trampet pa grasset | |
22. | Kristus-sange | |
23. | Kvinde | |
24. | Kyrie side | |
25. | Lux | |
26. | Lys for mig du lyse nat | |
27. | Men han blev saret | |
28. | Min sjal er dybt bedrovet | |
29. | Min unge elskede | |
30. | Missa Brevis | |
31. | Morlille sidder med briller pa | |
32. | Motetter til paske | |
33. | Nulpunkt | |
34. | 0 God, thou art my God | |
35. | Salme 63 | |
36. | Sanctus | |
37. | Sarajevo | |
38. | Se, din konge kommer til dig | |
39. | Skalven | |
40. | Snedronningen | |
41. | Solen synker sa ligetil | |
42. | Stolt Signild lader brygge vin | |
43. | Sovnlos | |
44. | Til himlene rakker din miskundhed, Gud | |
45. | Trolddom | |
46. | Vi udgor tilsammen en krop |
In the autumn of 1923, a young man produced the first music editions of his newly founded publishing house in his parents’ living room. He named his company Bärenreiter. In the spring of 1924 when Karl Vötterle came of age, he was able to register it with the German Publishers and Booksellers Association. At first, he mainly put out folk song collections, church as well as organ music including early music by Leonhard Lechner and Heinrich Schütz, at the time primarily known in specialist circles.
During the last months of the Second World War, the publishing house in Kassel was destroyed and once more a fresh beginning had to be made. With the start of the extensive German music encyclopaedia MGG – "Musik in Geschichte und Gegenwart" – as well as numerous series of scholarly-critical complete editions such as the “New Mozart Edition” and the “New Bach Edition”, the visionary founder of the publisher created the basis for the further development of Bärenreiter. The musicological editions increasingly aroused interest abroad, and Bärenreiter found itself on an expansion course.
When Karl Votterle died in 1975, his daughter Barbara took over the helm, supported by her husband Leonhard Scheuch. Under their leadership, the catalogue grew significantly and the brand BÄRENREITER URTEXT was established. Finally, in 2003, their son Clemens Scheuch joined the publisher which today he is managing together with his parents. Thus Bärenreiter has remained a family business to this day and has become a company of international standing in the world of classical music.
