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Beethoven, Ludwig van: Sonata for Pianoforte and Violoncello A major

sheet music

Op. 69
Edited by Del Mar, Jonathan
Instrument: Wiolonczela solo
Seria: Bärenreiter Urtext
Period: Classic
Język: English, German
Zasięg: 52 stron
Wydawca: Bärenreiter
Numer katalogowy: BA8637
Inne : BA08637
ISMN: 9790006577576
'Beethoven effectively invented the genre of the cello sonata proper, in which cello and piano have equally important roles,' writes Barry Cooper in his introduction to the Bärenreiter edition of all five sonatas (BA09012 Beethoven, Sonatas for Piano and Cello). It was awarded the 'Best Edition 2005' prize by the German Music Publishers Association for the outstanding musicological work of its editor, Beethoven specialist Jonathan Del Mar.

Bärenreiter presents this single edition of the Cello Sonata in A major op. 69, as part of a series of popular works from its programme celebrating the 100th anniversary of the publishing house. The work dates from the composer's 'middle period' and contains 'expanded lyricism and grandeur, enormous dynamism and a persistent element of unpredictability' (Barry Cooper).

100 Years of Bärenreiter

In the autumn of 1923, a young man produced the first music editions of his newly founded publishing house in his parents’ living room. He named his company Bärenreiter. In the spring of 1924 when Karl Vötterle came of age, he was able to register it with the German Publishers and Booksellers Association. At first, he mainly put out folk song collections, church as well as organ music including early music by Leonhard Lechner and Heinrich Schütz, at the time primarily known in specialist circles.

During the last months of the Second World War, the publishing house in Kassel was destroyed and once more a fresh beginning had to be made. With the start of the extensive German music encyclopaedia MGG – "Musik in Geschichte und Gegenwart" – as well as numerous series of scholarly-critical complete editions such as the “New Mozart Edition” and the “New Bach Edition”, the visionary founder of the publisher created the basis for the further development of Bärenreiter. The musicological editions increasingly aroused interest abroad, and Bärenreiter found itself on an expansion course.

When Karl Votterle died in 1975, his daughter Barbara took over the helm, supported by her husband Leonhard Scheuch. Under their leadership, the catalogue grew significantly and the brand BÄRENREITER URTEXT was established. Finally, in 2003, their son Clemens Scheuch joined the publisher which today he is managing together with his parents. Thus Bärenreiter has remained a family business to this day and has become a company of international standing in the world of classical music.

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