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Bärenreiter Piano Album. Baroque

partition de concert

Édité par Erényi, Adél
Instrumentation: Clavier
Instrumentation: piano/harpisc.
Période: Baroque
Degré de difficulté: 3
Pages: 47 pp
Poids: 0.204 kg
Editeur: Bärenreiter
Numéro d’édition: BA8759
Cotage de l'editeur: BA08759
ISMN: 9790006523627

In the Baroque Era, the term &ldquo,clavier&rdquo, referred to all keyboard instruments: virginal, clavichord, harpsichord, fortepiano, and others. The B&auml,renreiter Baroque Piano Album presents arepresentative selection of the major forms of Baroque clavier music from England , Italy , France and Germany .

The anthology is divided into these four countries and illustrated with pictures of historical instruments toconvey an impression of music making in the country

Contenu

1.
Aften i havnekvarteret
2.
Almagts Gud, velsignet var
3.
Credo
4.
Da byggede de af sten
5.
Da abnedes deres ojne
6.
Dag gik pa hald
7.
Den store, stille nat gar frem
8.
Drag, Jesus, mig dog efter dig
9.
Du leved vore dage
10.
Folkevise
11.
Forar, markelige forar
12.
Frygt ikke
13.
Gloria
14.
Guds menighed, syng
15.
Guld, ild, tankes fest
16.
Har du no'nsinde provet at sove
17.
Hvor er din bolig vidunderlig
18.
Hojt ligger pa marken den hvide sne
19.
Jeg venter dig, Herre
20.
Jeg vil lofte frelsens bager
21.
Jeg ville ha' trampet pa grasset
22.
Kristus-sange
23.
Kvinde
24.
Kyrie side
25.
Lux
26.
Lys for mig du lyse nat
27.
Men han blev saret
28.
Min sjal er dybt bedrovet
29.
Min unge elskede
30.
Missa Brevis
31.
Morlille sidder med briller pa
32.
Motetter til paske
33.
Nulpunkt
34.
0 God, thou art my God
35.
Salme 63
36.
Sanctus
37.
Sarajevo
38.
Se, din konge kommer til dig
39.
Skalven
40.
Snedronningen
41.
Solen synker sa ligetil
42.
Stolt Signild lader brygge vin
43.
Sovnlos
44.
Til himlene rakker din miskundhed, Gud
45.
Trolddom
46.
Vi udgor tilsammen en krop
100 Years of Bärenreiter

In the autumn of 1923, a young man produced the first music editions of his newly founded publishing house in his parents’ living room. He named his company Bärenreiter. In the spring of 1924 when Karl Vötterle came of age, he was able to register it with the German Publishers and Booksellers Association. At first, he mainly put out folk song collections, church as well as organ music including early music by Leonhard Lechner and Heinrich Schütz, at the time primarily known in specialist circles.

During the last months of the Second World War, the publishing house in Kassel was destroyed and once more a fresh beginning had to be made. With the start of the extensive German music encyclopaedia MGG – "Musik in Geschichte und Gegenwart" – as well as numerous series of scholarly-critical complete editions such as the “New Mozart Edition” and the “New Bach Edition”, the visionary founder of the publisher created the basis for the further development of Bärenreiter. The musicological editions increasingly aroused interest abroad, and Bärenreiter found itself on an expansion course.

When Karl Votterle died in 1975, his daughter Barbara took over the helm, supported by her husband Leonhard Scheuch. Under their leadership, the catalogue grew significantly and the brand BÄRENREITER URTEXT was established. Finally, in 2003, their son Clemens Scheuch joined the publisher which today he is managing together with his parents. Thus Bärenreiter has remained a family business to this day and has become a company of international standing in the world of classical music.

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