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Bartók Béla – Reschofsky Sándor: Piano Method
(1913)
By its very existence it marks the end of lifeless, mechanical piano literature. Not only can these pieces be played with real devotion, since they are so charming, but they themselves can make you develop. They can teach you refined simplicity and sophisticated naivety, and you can do honor to eternal, genuine musicality in them.' Ever since its appearance, many teachers have made successful use of Piano Method by Reschofsky and Bartók in the early years of instrumental music education. This new edition merges our earlier ones in Hungarian with German, English, and French (Z. 4636, Z. 5220, Z. 6179).
Eszter Mikusi