Preis: $15.50 (exkl. MWSt.)
Online Verfügbarkeit: Kein Lagerartikel
Bei Übernahme im Musikgeschäft: Kein Lagerartikel. Ware innerhalb 5 Wochen versandbereit

Dvořák, Antonín: Compositions IV/3

Slavonic Dance Op. 46 No. 8, Slavonic Dance Op. 46 No. 3, Polonaise in A major B 94 for Violoncello

Spielpartitur

Übertragung von Burghauser, Jarmil
Besetzung: Violoncello und Klavier
Besetzung: Vc/piano
Reihe: The Complete Works of Antonín Dvorák
Periode: Klassik
Gewicht: 0.292 kg
Verlag: Bärenreiter
Artikelnummer: H5305
Verlagsnummer: H05305
ISMN: 9790260106345
The volume contains three of Dvorák's compositions for cello: Polonaise in A major (B 94) and two original arrangements of the Slavonic Dances from Op. 46 (Nos. 3 and 8). The polonaise was written for the concertmaster of the orchestra of the Provisional Theatre, Alois Neruda. The autograph of the work is lost, and for this reason the composition is included merely as a supplement to the volume, as it draws only from a copy of the piece that was made with the author's consent from Neruda's original by Prof. Wilhelm Jeral, who gave it to Universal Edition for publishing in 1925. When Dvorák organised an extensive concert tour throughout the Czech lands before his departure to America, he needed some compositions for cello and piano for his partner in the trio, the cellist Hanus Wihan. Among others, he created both the arrangements of the Slavonic Dances (No. 3 was unfinished, the current edition offers a version edited by Jarmil Burghauser and revised by Josef Chuchro). The publication is part of the first Complete Critical Edition of the Works of Antonín Dvorák.
100 Years of Bärenreiter

In the autumn of 1923, a young man produced the first music editions of his newly founded publishing house in his parents’ living room. He named his company Bärenreiter. In the spring of 1924 when Karl Vötterle came of age, he was able to register it with the German Publishers and Booksellers Association. At first, he mainly put out folk song collections, church as well as organ music including early music by Leonhard Lechner and Heinrich Schütz, at the time primarily known in specialist circles.

During the last months of the Second World War, the publishing house in Kassel was destroyed and once more a fresh beginning had to be made. With the start of the extensive German music encyclopaedia MGG – "Musik in Geschichte und Gegenwart" – as well as numerous series of scholarly-critical complete editions such as the “New Mozart Edition” and the “New Bach Edition”, the visionary founder of the publisher created the basis for the further development of Bärenreiter. The musicological editions increasingly aroused interest abroad, and Bärenreiter found itself on an expansion course.

When Karl Votterle died in 1975, his daughter Barbara took over the helm, supported by her husband Leonhard Scheuch. Under their leadership, the catalogue grew significantly and the brand BÄRENREITER URTEXT was established. Finally, in 2003, their son Clemens Scheuch joined the publisher which today he is managing together with his parents. Thus Bärenreiter has remained a family business to this day and has become a company of international standing in the world of classical music.

Subscribe to our e-mail newsletter

Stay updated on the latest news and publications

JOIN A COMMUNITY

of music lovers, educators and performers