Preis: $3.83 (exkl. MWSt.)
Online Verfügbarkeit: Kein Lagerartikel. Ware innerhalb von 15 Tagen versandbereit
Bei Übernahme im Musikgeschäft: Kein Lagerartikel. Ware innerhalb von 15 Tagen versandbereit

Vivaldi, Antonio: Concerto for Violin and Piano E major op. 8, No. 1 'Spring'

Noten

Herausgegeben von Hogwood, Christopher
Besetzung: Violine und Klavier
Reihe: Bärenreiter Urtext
Periode: Barock
Sprache: englisch, deutsch
Anzahl der Seiten: 20 Seiten
Verlag: Bärenreiter
Artikelnummer: BA8646
Verlagsnummer: BA08646
ISMN: 9790006577279
With his "Spring" Vivaldi musically brings to sound what we associate with this season: chirping birds, babbling brooks, blooming meadows, a spirit of new beginnings. The piece is preceded by a poem, the verses of which are assigned reference letters, which in turn can be found within the musical text and give very concrete indications of what is intended to be expressed in the music at the respective point. Provided with the characteristic drive of Vivaldi's Allegro movements, the piece is one of the top hits of classical music.

Bärenreiter presents this single edition as part of a series of popular works from its programme celebrating the 100th anniversary of the publishing house. The Urtext edition constitutes an excerpt from BA06994-90 Antonio Vivaldi, Le Quattro Stagioni / The Four Seasons (piano reduction). It was edited by Christopher Hogwood and is based on the Manchester manuscript, which originated in Vivaldi's circle and offers an alternative, in many cases more coherent version of these famous concertos compared with the first printing, published by Le Cene in Amsterdam in 1725.

100 Years of Bärenreiter

In the autumn of 1923, a young man produced the first music editions of his newly founded publishing house in his parents’ living room. He named his company Bärenreiter. In the spring of 1924 when Karl Vötterle came of age, he was able to register it with the German Publishers and Booksellers Association. At first, he mainly put out folk song collections, church as well as organ music including early music by Leonhard Lechner and Heinrich Schütz, at the time primarily known in specialist circles.

During the last months of the Second World War, the publishing house in Kassel was destroyed and once more a fresh beginning had to be made. With the start of the extensive German music encyclopaedia MGG – "Musik in Geschichte und Gegenwart" – as well as numerous series of scholarly-critical complete editions such as the “New Mozart Edition” and the “New Bach Edition”, the visionary founder of the publisher created the basis for the further development of Bärenreiter. The musicological editions increasingly aroused interest abroad, and Bärenreiter found itself on an expansion course.

When Karl Votterle died in 1975, his daughter Barbara took over the helm, supported by her husband Leonhard Scheuch. Under their leadership, the catalogue grew significantly and the brand BÄRENREITER URTEXT was established. Finally, in 2003, their son Clemens Scheuch joined the publisher which today he is managing together with his parents. Thus Bärenreiter has remained a family business to this day and has become a company of international standing in the world of classical music.

Wie können wir etwas kaufen?

Online-Kauf:

Sie können Noten unmittelbar aus unserem Web-Shop durch Zahlung mit der Kreditkarte, oder per Nachnahme kaufen, allerdings können Sie so nur solche Ausgaben sofort kaufen, welche gerade verfügbar sind.

 

Persönliche Übernahme im Geschäft:

Wir geben Ihnen die Möglichkeit Ihre Bestellung über unsere Website in einen von Ihnen ausgewählten, herkömmlichen Musikalienhandel zu schicken. In diesem Fall werden Sie Kunde des jeweiligen Geschäftes, können Ihre Bestellung dort entgegennehmen und müssen dort zahlen.

 

Die Art des Kaufs und der Zahlung können Sie hier einstellen.

Kopierverbot für Musiknoten
Bitte beachten Sie, dass das Fotokopieren von geschütztem Notenmaterial verboten ist und nur mit Zustimmung des Rechteinhabers erfolgen darf.
Durch das Fotokopieren wird dem Komponisten/Autor seine ihm zustehende Entlohnung für sein geistiges Eigentum vorenthalten.