Price: $15.50 (Excl. VAT)
Online availability: Not available at the moment
Store availability: Usually ships in 30 days

Dvořák, Antonín: Compositions IV/3

Slavonic Dance Op. 46 No. 8, Slavonic Dance Op. 46 No. 3, Polonaise in A major B 94 for Violoncello

playing score

Transcribed by Burghauser, Jarmil
Setting: Violoncello and Piano
Instrumentation: Vc/piano
Series: The Complete Works of Antonín Dvorák
Period: Classic
Weight: 0.292 kg
Publisher: Bärenreiter
Item number: H5305
Other reference: H05305
ISMN: 9790260106345
The volume contains three of Dvorák's compositions for cello: Polonaise in A major (B 94) and two original arrangements of the Slavonic Dances from Op. 46 (Nos. 3 and 8). The polonaise was written for the concertmaster of the orchestra of the Provisional Theatre, Alois Neruda. The autograph of the work is lost, and for this reason the composition is included merely as a supplement to the volume, as it draws only from a copy of the piece that was made with the author's consent from Neruda's original by Prof. Wilhelm Jeral, who gave it to Universal Edition for publishing in 1925. When Dvorák organised an extensive concert tour throughout the Czech lands before his departure to America, he needed some compositions for cello and piano for his partner in the trio, the cellist Hanus Wihan. Among others, he created both the arrangements of the Slavonic Dances (No. 3 was unfinished, the current edition offers a version edited by Jarmil Burghauser and revised by Josef Chuchro). The publication is part of the first Complete Critical Edition of the Works of Antonín Dvorák.
100 Years of Bärenreiter

In the autumn of 1923, a young man produced the first music editions of his newly founded publishing house in his parents’ living room. He named his company Bärenreiter. In the spring of 1924 when Karl Vötterle came of age, he was able to register it with the German Publishers and Booksellers Association. At first, he mainly put out folk song collections, church as well as organ music including early music by Leonhard Lechner and Heinrich Schütz, at the time primarily known in specialist circles.

During the last months of the Second World War, the publishing house in Kassel was destroyed and once more a fresh beginning had to be made. With the start of the extensive German music encyclopaedia MGG – "Musik in Geschichte und Gegenwart" – as well as numerous series of scholarly-critical complete editions such as the “New Mozart Edition” and the “New Bach Edition”, the visionary founder of the publisher created the basis for the further development of Bärenreiter. The musicological editions increasingly aroused interest abroad, and Bärenreiter found itself on an expansion course.

When Karl Votterle died in 1975, his daughter Barbara took over the helm, supported by her husband Leonhard Scheuch. Under their leadership, the catalogue grew significantly and the brand BÄRENREITER URTEXT was established. Finally, in 2003, their son Clemens Scheuch joined the publisher which today he is managing together with his parents. Thus Bärenreiter has remained a family business to this day and has become a company of international standing in the world of classical music.

How can I shop?

Online purchase:

Buy directly from our web-shop via credit/debit card payment. With this method, only publications which we currently have on stock can be purchased.

In-store pickup:

If you prefer not to shop online, you also have the option to order from our website and we will forward your order to one of our partner music shops of your choosing. In this case, you will buy the scores directly from the shop and pay for them there upon pickup.

Your purchase and payment method can be set here.

Copyright information

Please note that it is illegal to photocopy copyright protected music without the permission of the copyright holder.

To photocopy is to deprive the composer/author of his/her rightful income for his/her intellectual property.