Schubert, Franz: Impromptus
D 899 (op. 90) and D 935 (op. post. 142)
Spielpartitur
For the first time this scholarly-critical Urtext edition presents the musical text of the "New Schubert Edition" in new engraving and with optimum page-turns. The fingering takes essential aspects of performance practice of Schubert's time as well as performance on the modern concert grand piano into consideration.
A detailed foreword, suggestions for performance and notes on the evaluation of the primary sources complete the edition.
- Scholarly-critical editions based on the Urtext of the New Schubert Edition, taking all known sources into account
- Newly engraved editions with optimum page-turns
- With fingering and suggestions for performance (Ger/Eng) by Mario Aschauer
- With a detailed foreword (Ger/Eng) and critical commentary (Eng)
Mario Aschauer
studied piano, historical keyboard instruments, conducting and musicology in Linz, Salzburg and Vienna. He performs as a soloist and chamber musician, with groups including the Austrian Calamus Consort, presenting a wide-ranging repertoire on fortepiano, harpsichord and organ.
In the autumn of 1923, a young man produced the first music editions of his newly founded publishing house in his parents’ living room. He named his company Bärenreiter. In the spring of 1924 when Karl Vötterle came of age, he was able to register it with the German Publishers and Booksellers Association. At first, he mainly put out folk song collections, church as well as organ music including early music by Leonhard Lechner and Heinrich Schütz, at the time primarily known in specialist circles.
During the last months of the Second World War, the publishing house in Kassel was destroyed and once more a fresh beginning had to be made. With the start of the extensive German music encyclopaedia MGG – "Musik in Geschichte und Gegenwart" – as well as numerous series of scholarly-critical complete editions such as the “New Mozart Edition” and the “New Bach Edition”, the visionary founder of the publisher created the basis for the further development of Bärenreiter. The musicological editions increasingly aroused interest abroad, and Bärenreiter found itself on an expansion course.
When Karl Votterle died in 1975, his daughter Barbara took over the helm, supported by her husband Leonhard Scheuch. Under their leadership, the catalogue grew significantly and the brand BÄRENREITER URTEXT was established. Finally, in 2003, their son Clemens Scheuch joined the publisher which today he is managing together with his parents. Thus Bärenreiter has remained a family business to this day and has become a company of international standing in the world of classical music.
Online-Kauf:
Sie können Noten unmittelbar aus unserem Web-Shop durch Zahlung mit der Kreditkarte, oder per Nachnahme kaufen, allerdings können Sie so nur solche Ausgaben sofort kaufen, welche gerade verfügbar sind.
Persönliche Übernahme im Geschäft:
Wir geben Ihnen die Möglichkeit Ihre Bestellung über unsere Website in einen von Ihnen ausgewählten, herkömmlichen Musikalienhandel zu schicken. In diesem Fall werden Sie Kunde des jeweiligen Geschäftes, können Ihre Bestellung dort entgegennehmen und müssen dort zahlen.
Die Art des Kaufs und der Zahlung können Sie hier einstellen.
Durch das Fotokopieren wird dem Komponisten/Autor seine ihm zustehende Entlohnung für sein geistiges Eigentum vorenthalten.
