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Schubert, Franz: Impromptus

D 899 (op. 90) and D 935 (op. post. 142)

playing score

Edited by Dürr, Walther
Setting: Piano
Instrumentation: piano
Series: Bärenreiter Urtext
Period: Romantic
Weight: 0.411 kg
Publisher: Bärenreiter
Item number: BA9648
Other reference: BA09648
ISMN: 9790006539536
In autumn 1827 Schubert composed eight "Impromptus" for publication as a complete collection by Haslinger in Vienna. When the plan fell through, Schubert offered his "Impromptus" to Schott as pieces which "could be issued individually or all four together'. The name of the works probably originated from the publisher Haslinger and Schubert also used it for his collection published later as op. posth. 142. The lyrical-romantic works are suitable for advanced piano students and have the character of sonata movements. Robert Schumann who regarded them as parts of a four-movement sonata, drew attention to the second collection published by Diabelli in 1839 in his review.
For the first time this scholarly-critical Urtext edition presents the musical text of the "New Schubert Edition" in new engraving and with optimum page-turns. The fingering takes essential aspects of performance practice of Schubert's time as well as performance on the modern concert grand piano into consideration.
A detailed foreword, suggestions for performance and notes on the evaluation of the primary sources complete the edition.
- Scholarly-critical editions based on the Urtext of the New Schubert Edition, taking all known sources into account
- Newly engraved editions with optimum page-turns
- With fingering and suggestions for performance (Ger/Eng) by Mario Aschauer
- With a detailed foreword (Ger/Eng) and critical commentary (Eng)
Mario Aschauer
studied piano, historical keyboard instruments, conducting and musicology in Linz, Salzburg and Vienna. He performs as a soloist and chamber musician, with groups including the Austrian Calamus Consort, presenting a wide-ranging repertoire on fortepiano, harpsichord and organ.
100 Years of Bärenreiter

In the autumn of 1923, a young man produced the first music editions of his newly founded publishing house in his parents’ living room. He named his company Bärenreiter. In the spring of 1924 when Karl Vötterle came of age, he was able to register it with the German Publishers and Booksellers Association. At first, he mainly put out folk song collections, church as well as organ music including early music by Leonhard Lechner and Heinrich Schütz, at the time primarily known in specialist circles.

During the last months of the Second World War, the publishing house in Kassel was destroyed and once more a fresh beginning had to be made. With the start of the extensive German music encyclopaedia MGG – "Musik in Geschichte und Gegenwart" – as well as numerous series of scholarly-critical complete editions such as the “New Mozart Edition” and the “New Bach Edition”, the visionary founder of the publisher created the basis for the further development of Bärenreiter. The musicological editions increasingly aroused interest abroad, and Bärenreiter found itself on an expansion course.

When Karl Votterle died in 1975, his daughter Barbara took over the helm, supported by her husband Leonhard Scheuch. Under their leadership, the catalogue grew significantly and the brand BÄRENREITER URTEXT was established. Finally, in 2003, their son Clemens Scheuch joined the publisher which today he is managing together with his parents. Thus Bärenreiter has remained a family business to this day and has become a company of international standing in the world of classical music.

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