Rameau, Jean-Philippe: Airs d'opéra / Operatic arias. Soprano, Volume 4
vocal/choral score
Volume 4 for soprano contains the second half of the large-scale arias and ariettas that Rameau composed for lyric soprano (the 18th-century equivalent of today’s lyric coloratura soprano) in his prologues and divertissements.Each number is accompanied by a keyboard reduction and is introduced by a brief account of the dramatic situation as well as an English translation of the vocal text.
- Detailed historical Introductions (Fr/Eng)
-Practical keyboard reductions based on Opera O
Vsebina | ||
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1. | Nais. Livret de Cahusac: Prologue | |
2. | L'Accord des Dieux | |
3. | Flore: "Brillez de mille attraits nouveaux" [Rameau, Jean-Philippe] | |
4. | Nais. Livret de Cahusac: Une Bergere: "Au Berger que j'adore" [Rameau, Jean-Philippe] | |
5. | Nais. Livret de Cahusac: Une jeune Bergere chantante et dansante: "Je ne sais quel ennui me presse" [Rameau, Jean-Philippe] | |
6. | La Naissance D'Osiris. livret de Cahusac: Pamilie: "Non, non, une flamme volage" [Rameau, Jean-Philippe] | |
7. | Les Paladins. Livret de Duplat de Monticourt: Nérine: " C'est trop soupirer" [Rameau, Jean-Philippe] | |
8. | Platée. Livret de Valois d'Orville d'apres Autreau: Clarine: "Soleil, fuis de ces lieux" [Rameau, Jean-Philippe] | |
9. | La Folie: "Aux langueurs d'Apollon, Daphné se refusa" [Rameau, Jean-Philippe] | |
10. | La Folie: "Amour, lance tes traits, épuise ton carquois" [Rameau, Jean-Philippe] | |
11. | La Princesse de Navarre. livret de Voltaire: Une Grâce: "Vents furieux, tristes tempetes" [Rameau, Jean-Philippe] | |
12. | La Princesse de Navarre. livret de Voltaire: Une Grâce: "Écho, voix errante" [Rameau, Jean-Philippe] | |
13. | Les Surprises de l'amour. livret de Gentil-Bernard: Anarcéon | |
14. | L'Amour: "L'Amour est le dieu de la paix" [Rameau, Jean-Philippe] | |
15. | Le Temple de la Gloire. livret de Voltaire: Bélus | |
16. | Une Bergere: "Vole, charmant Amour, dieu tendre, dieu paisible" [Rameau, Jean-Philippe] | |
17. | Trajan | |
18. | La Gloire: "Plus d'un héros, plus d'un grand roi" [Rameau, Jean-Philippe] | |
19. | Une Bergere: "lci les plus brillantes fleurs" [Rameau, Jean-Philippe] | |
20. | Belus | |
21. | Une Bergere: "Un roi, s'il veut etre heureux" [Rameau, Jean-Philippe] | |
22. | Zais. Livret de Cahusac: Une Sylphide: Chantez, oisesux, chantez, votre aimable ramage" [Rameau, Jean-Philippe] | |
23. | L'Amour: "Volez, Plaisirs, suivez mes pas" [Rameau, Jean-Philippe] | |
24. | Zoroastre. Livret de Cahusac: Céphie: "Ah ! que I'absence est un cruel tourment !" [Rameau, Jean-Philippe] |
In the autumn of 1923, a young man produced the first music editions of his newly founded publishing house in his parents’ living room. He named his company Bärenreiter. In the spring of 1924 when Karl Vötterle came of age, he was able to register it with the German Publishers and Booksellers Association. At first, he mainly put out folk song collections, church as well as organ music including early music by Leonhard Lechner and Heinrich Schütz, at the time primarily known in specialist circles.
During the last months of the Second World War, the publishing house in Kassel was destroyed and once more a fresh beginning had to be made. With the start of the extensive German music encyclopaedia MGG – "Musik in Geschichte und Gegenwart" – as well as numerous series of scholarly-critical complete editions such as the “New Mozart Edition” and the “New Bach Edition”, the visionary founder of the publisher created the basis for the further development of Bärenreiter. The musicological editions increasingly aroused interest abroad, and Bärenreiter found itself on an expansion course.
When Karl Votterle died in 1975, his daughter Barbara took over the helm, supported by her husband Leonhard Scheuch. Under their leadership, the catalogue grew significantly and the brand BÄRENREITER URTEXT was established. Finally, in 2003, their son Clemens Scheuch joined the publisher which today he is managing together with his parents. Thus Bärenreiter has remained a family business to this day and has become a company of international standing in the world of classical music.
