Intermediate Level Duos

with optional combinations of instruments

score and parts

Selected, transcribed and edited by Soós András – Zempléni László

存款: Mixed Chamber Duo, String Duo, Duos for Wind Instruments

器乐创作: Ia - cl. in Sib, Ib - sass. tenore in Sib, Ib - vla, sass.alto in Mib, IIa - vl/vibr./marimba, vla, cl. in Sib, IIb - vlc/fg

系列: Ad libitum

类型: Pedagogical performance pieces

页数: 76 页

Format: 23 x 30,2 cm (Bach)

Weight: 0.314 kg

首次出版: 2014年2月1日

出版者: Editio Musica Budapest Zeneműkiadó

刊物代码: 14860

ISMN: 9790080148600

The volume for intermediate players in the Ad libitum series offers duos from the Renaissance to the Late Romantic Period, which can be performed in a varied ensemble of instruments. The publication also contains works by less well-known composers, including two pieces by Bertalotti which were originally written for solfege yet are valuable as concert pieces and can be well played, as well as a composition by Jacques-Christophe Naudot and one by Carl Friedrich Weidemann.

This publication is printed on high quality, durable paper made from renewable raw materials in an environmentally friendly way.

内容目录
1.	Morley, Thomas: Fantasia ('La Caccia', The First Booke of Canzonets to Two Voyces, 1595)
2.	Diruta, Girolamo: Three ricercars (Il Transilvano, Seconda Parte, 12 Ricercari, 1609, Nos. 2, 4, 6)
3.	Pachelbel, Johann: Fuga (Fuge in C, T 264)
4.	Bertalotti, Angelo Michele: Two solfeggios (Solfeggi a canto e alto, 1744, Nos. 19, 34)
5.	Telemann, Georg Philipp: Soave (36 Fantaisies pour le clavessin, TWV 33, No. 29/II)
6.	Naudot, Jacques-Christophe: Gigue (5 Duettos)
7.	Weidemann, C. Fr.: Air
8.	Beethoven, Ludwig van: Duo (Duo für zwei Flöten, WoO 26)
9.	Mozart, Wolfgang Amadeus: Three duos (12 Duos für zwei Hörner, K 487 (496a), Nos. 8, 5, 12)
10.	Offenbach, Jacques: Andante (Duos pour deux violoncelles, Op. 51, No. 1/II)
11.	Reger, Max: Two canons (111 Canons durch alle Dur- und Molltonarten, Heft I, Nos. 7, 46)

Ad libitum

The main draw of the "Ad libitum" series, per its title, is that it’s full of a variety of pieces which can be performed using flexible instrumentations so that string, woodwind, and percussion instrumentalists can freely enjoy collective music making together.