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Bach, Johann Sebastian: The Well Tempered Clavier BWV 846-869 1
Catalogue
Edited by Lantos István
Zasedba: Piano
Serija: EMB Urtext
Obdobje: Baroque
Jezik: English, German, Hungarian
Število strani: 124 strani
Format: 23 x 30,2 cm (Bach)
Weight: 0.392 kg
Leto izdaje: 01. junij 1977
Založba: Editio Musica Budapest Zeneműkiadó
Številka artikla: 8015
ISMN: 9790080080153
"Owing to its conceptual variety, the Wohltemperiertes Klavier constitutes one of Bach's most complete opuses. It equally comprises the world of the chorales and passions, the Baroque dance movements and concertos.
The edition has been based on the 5th volume of the facsimile series (Bach works) published by the Deutscher Verlag für Musik, Leipzig in 1971. In shaping the text of the publication we also studied the major Urtext editions in general use today. The text variants of an Urtext validity which by and large equal the main text, are given in ossia. The editor's addenda are put in square brackets, or in the case of ligatures, are marked with broken lines." (István Lantos)
Vsebina | ||
|---|---|---|
| 1. | Praeludium 1 - Fuga 1 | |
| 2. | Praeludium 2 - Fuga 2 | |
| 3. | Praeludium 3 - Fuga 3 | |
| 4. | Praeludium 4 - Fuga 4 | |
| 5. | Praeludium 5 - Fuga 5 | |
| 6. | Praeludium 6 - Fuga 6 | |
| 7. | Praeludium 7 - Fuga 7 | |
| 8. | Praeludium 8 - Fuga 8 | |
| 9. | Praeludium 9 - Fuga 9 | |
| 10. | Praeludium 10 - Fuga 10 | |
| 11. | Praeludium 11 - Fuga 11 | |
| 12. | Praeludium 12 - Fuga 12 | |
| 13. | Praeludium 13 - Fuga 13 | |
| 14. | Praeludium 14 - Fuga 14 | |
| 15. | Praeludium 15 - Fuga 15 | |
| 16. | Praeludium 16 - Fuga 16 | |
| 17. | Praeludium 17 - Fuga 17 | |
| 18. | Praeludium 18 - Fuga 18 | |
| 19. | Praeludium 19 - Fuga 19 | |
| 20. | Praeludium 20 - Fuga 20 | |
| 21. | Praeludium 21 - Fuga 21 | |
| 22. | Praeludium 22 - Fuga 22 | |
| 23. | Praeludium 23 - Fuga 23 | |
| 24. | Praeludium 24 - Fuga 24 | |
EMB Urtext Series
The volumes of this series go back to the contemporary sources and attempt to come as near as possible to the composers' original intentions, stripping the works of the frequently arbitrary editorial markings which they became burdened with over the course of several decades. The necessary emendations and information on techniques are distinguished unambiguously from the original music text. The use of urtext editions appear as basic requirements on the part of music teachers and performers alike.
