Composed at the end of 1785, Mozart’s Piano Concerto in E-flat major forms a group of three with the two famous concerti in A major K. 488 and in C minor K. 491, which he completed in March of thefollowing year. What they all have in common is Mozart’s inclusion of Clarinets in the Orchestra for the first time. In this he succeeded to particularly impressive effect with the lyrical passages in the slowsections of the E-flat-major concerto, which was wel