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Michna z Otradovic, Adam Václav: Sacra et litaniae - pars V: Missa V 10

complete edition

Instrument: Voice, choir and orchestra
Instrumentatie: BSolo/Mixed choir-SATB/trombone/Org/Str
Greutate: 0.451 kg
Editor: Bärenreiter
Numar articol: H7995
Numarul original al articolului la editor: H07995
ISBN: 9790260103900
Adam Michna z Otradovic (c. 1600-1676), the most prominent figure of Czech music of the 17th century, studied at a Jesuit school in his home town, Jindrichuv Hradec in southern Bohemia. Around the year 1633 he was nominated organist of the provost's church, a position he held until his death. Missa V is part of the last and largest collection of Michna's sacred works Sacra et litaniae, published in Prague in 1654 (containing five Masses, Requiem, Te Deum and two litanies). The piece is designed as a dialogue between the concerto solo bass and the mostly homophonous, passive four-part choir. Dramatic effect is achieved, as it is elsewhere with Michna, with the use of unusual harmonics and chromatics. The very simple instrumental accompaniment - two violins, a trombone (viola) ad libitum in the overture, and basso continuo possibly reflect the limited options of church ensembles during the Thirty Year War. As with the other sections of this largest Czech collection of Latin liturgical mu sic, this Mass is published for the first time in the modern age, in the critical edition of Prof. V. Belský and Dr. Jirí Sehnal. The publication includes an extensive Preface and Editor's Notes (Czech, German, English).
100 Years of Bärenreiter

In the autumn of 1923, a young man produced the first music editions of his newly founded publishing house in his parents’ living room. He named his company Bärenreiter. In the spring of 1924 when Karl Vötterle came of age, he was able to register it with the German Publishers and Booksellers Association. At first, he mainly put out folk song collections, church as well as organ music including early music by Leonhard Lechner and Heinrich Schütz, at the time primarily known in specialist circles.

During the last months of the Second World War, the publishing house in Kassel was destroyed and once more a fresh beginning had to be made. With the start of the extensive German music encyclopaedia MGG – "Musik in Geschichte und Gegenwart" – as well as numerous series of scholarly-critical complete editions such as the “New Mozart Edition” and the “New Bach Edition”, the visionary founder of the publisher created the basis for the further development of Bärenreiter. The musicological editions increasingly aroused interest abroad, and Bärenreiter found itself on an expansion course.

When Karl Votterle died in 1975, his daughter Barbara took over the helm, supported by her husband Leonhard Scheuch. Under their leadership, the catalogue grew significantly and the brand BÄRENREITER URTEXT was established. Finally, in 2003, their son Clemens Scheuch joined the publisher which today he is managing together with his parents. Thus Bärenreiter has remained a family business to this day and has become a company of international standing in the world of classical music.

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