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Suk, Josef: Ella Polka II.

playing score

Instrument: Chamber Ensemble
Instrumentatie: 2V/VA/VC/double bass/TRI
Perioada: 20th Century
Greutate: 0.219 kg
Editor: Bärenreiter
Numar articol: H7953
Numarul original al articolului la editor: H07953
ISBN: 9790260103535
Suk's instrumentation of Ella-polka originally conceived for piano, originates from the last months of the composer's life and was written for a small string orchestra with triangle.
The polka was dedicated to the painter Max Svabinsky and named after his wife. Score and parts of Suk's adaptation were edited by Miroslav Novy on the basis of composer's autograph. Ella-polka is being published in this form for the first time ever.
100 Years of Bärenreiter

In the autumn of 1923, a young man produced the first music editions of his newly founded publishing house in his parents’ living room. He named his company Bärenreiter. In the spring of 1924 when Karl Vötterle came of age, he was able to register it with the German Publishers and Booksellers Association. At first, he mainly put out folk song collections, church as well as organ music including early music by Leonhard Lechner and Heinrich Schütz, at the time primarily known in specialist circles.

During the last months of the Second World War, the publishing house in Kassel was destroyed and once more a fresh beginning had to be made. With the start of the extensive German music encyclopaedia MGG – "Musik in Geschichte und Gegenwart" – as well as numerous series of scholarly-critical complete editions such as the “New Mozart Edition” and the “New Bach Edition”, the visionary founder of the publisher created the basis for the further development of Bärenreiter. The musicological editions increasingly aroused interest abroad, and Bärenreiter found itself on an expansion course.

When Karl Votterle died in 1975, his daughter Barbara took over the helm, supported by her husband Leonhard Scheuch. Under their leadership, the catalogue grew significantly and the brand BÄRENREITER URTEXT was established. Finally, in 2003, their son Clemens Scheuch joined the publisher which today he is managing together with his parents. Thus Bärenreiter has remained a family business to this day and has become a company of international standing in the world of classical music.

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