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Martinu, Bohuslav: Puppets I.

playing score

Transcribed by Brezina, Aleš
Instrument: Pian
Instrumentatie: piano
Perioada: 20th Century
Greutate: 0.127 kg
Editor: Bärenreiter
Numar articol: H7875
Numarul original al articolului la editor: H07875
ISBN: 9790260104402
This cycle of piano pieces occupies an exceptionalposition among the other compositionsfrom Bohuslav Martinu's early period. In view of the musical and aestheticchallenges thiswork presents, the cycle Puppets goes beyond the other pieces from this periodwhich,broadly speaking, are didactic in nature and designed for the purposes ofstudy. Martinuwrote the cycle between the years 1912-1925 and, during this time, he reworkedandchanged the pieces to the extent that Puppets I chronologically comes afterPuppets III,which is the earliest in the series. The third book (Puppets I) dates from 1925and containsfive short pieces: Columbine Dances, The New Puppet, The Shy Doll, Fairy Taleand, finally,The Puppets' Dance. Puppets I-III are a joy to play, while providing aworthwhile source ofstudy material, and are an essential part of the repertoire of young pianists.All three booksare published by Editio Barenreiter in new, revised urtext editions edited byAles Brezina.
100 Years of Bärenreiter

In the autumn of 1923, a young man produced the first music editions of his newly founded publishing house in his parents’ living room. He named his company Bärenreiter. In the spring of 1924 when Karl Vötterle came of age, he was able to register it with the German Publishers and Booksellers Association. At first, he mainly put out folk song collections, church as well as organ music including early music by Leonhard Lechner and Heinrich Schütz, at the time primarily known in specialist circles.

During the last months of the Second World War, the publishing house in Kassel was destroyed and once more a fresh beginning had to be made. With the start of the extensive German music encyclopaedia MGG – "Musik in Geschichte und Gegenwart" – as well as numerous series of scholarly-critical complete editions such as the “New Mozart Edition” and the “New Bach Edition”, the visionary founder of the publisher created the basis for the further development of Bärenreiter. The musicological editions increasingly aroused interest abroad, and Bärenreiter found itself on an expansion course.

When Karl Votterle died in 1975, his daughter Barbara took over the helm, supported by her husband Leonhard Scheuch. Under their leadership, the catalogue grew significantly and the brand BÄRENREITER URTEXT was established. Finally, in 2003, their son Clemens Scheuch joined the publisher which today he is managing together with his parents. Thus Bärenreiter has remained a family business to this day and has become a company of international standing in the world of classical music.

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