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Bach, Carl Philipp Emanuel: Versuch über die wahre Art das Clavier zu spielen

1. und 2. Teil. Reprint der 1. Auflage Berlin 1753 und 1762 (mit Ergänzungen 1787 und 1797)

Edited by Horn, Wolfgang
Perioada: Baroque
Greutate: 0.736 kg
Editor: Bärenreiter
Numar articol: BVK1199
Numarul original al articolului la editor: BVK01199
ISBN: 9783761817322
On the one hand it is a practical teaching book which brought about many innovations in the areas of technique, ornaments and refined playing of a figured bass, on the other hand it is a significant document of the 'new music' aestethics favored by the generation between J. S, Bach and the Wiener Classic.
100 Years of Bärenreiter

In the autumn of 1923, a young man produced the first music editions of his newly founded publishing house in his parents’ living room. He named his company Bärenreiter. In the spring of 1924 when Karl Vötterle came of age, he was able to register it with the German Publishers and Booksellers Association. At first, he mainly put out folk song collections, church as well as organ music including early music by Leonhard Lechner and Heinrich Schütz, at the time primarily known in specialist circles.

During the last months of the Second World War, the publishing house in Kassel was destroyed and once more a fresh beginning had to be made. With the start of the extensive German music encyclopaedia MGG – "Musik in Geschichte und Gegenwart" – as well as numerous series of scholarly-critical complete editions such as the “New Mozart Edition” and the “New Bach Edition”, the visionary founder of the publisher created the basis for the further development of Bärenreiter. The musicological editions increasingly aroused interest abroad, and Bärenreiter found itself on an expansion course.

When Karl Votterle died in 1975, his daughter Barbara took over the helm, supported by her husband Leonhard Scheuch. Under their leadership, the catalogue grew significantly and the brand BÄRENREITER URTEXT was established. Finally, in 2003, their son Clemens Scheuch joined the publisher which today he is managing together with his parents. Thus Bärenreiter has remained a family business to this day and has become a company of international standing in the world of classical music.

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