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Close, J. Peter – Sassmannshaus, Holger: Early Start on the Double Bass 3

The Sassmannshaus Tradition

playing score

Instrument: Double Bass
Instrumentatie: double bass(+piano)
Serie: Bärenreiter's Sassmannshaus
Greutate: 0.362 kg
Editor: Bärenreiter
Numar articol: BA9663
Numarul original al articolului la editor: BA09663
ISBN: 9790006540280
This bilingual volume in German and English is devoted to expanding the use of upper positions, introducing new bowing strokes and developing a versatile bowing technique. The new positions are first presented, in accordance with tried and tested Sassmannshaus methodology, by means of songs and exercises that the learner has already mastered, and then practiced with a wide range of duets and recital pieces in contrasting styles. Besides classical double bass literature, the volume also includes new arrangements from the string repertoire and original pieces by Boguslaw Furtok specially tailored to this tutor.
To promote ensemble playing, several of the pieces are given a piano accompaniment enclosed as a separate part.
Other contents of Volume 3 include fundamental ornaments, harmonics and a new rhythmic unit: the triplet.
As follow-up material, we recommend 'Concert Pieces for Double Bass and Piano' (<a href
100 Years of Bärenreiter

In the autumn of 1923, a young man produced the first music editions of his newly founded publishing house in his parents’ living room. He named his company Bärenreiter. In the spring of 1924 when Karl Vötterle came of age, he was able to register it with the German Publishers and Booksellers Association. At first, he mainly put out folk song collections, church as well as organ music including early music by Leonhard Lechner and Heinrich Schütz, at the time primarily known in specialist circles.

During the last months of the Second World War, the publishing house in Kassel was destroyed and once more a fresh beginning had to be made. With the start of the extensive German music encyclopaedia MGG – "Musik in Geschichte und Gegenwart" – as well as numerous series of scholarly-critical complete editions such as the “New Mozart Edition” and the “New Bach Edition”, the visionary founder of the publisher created the basis for the further development of Bärenreiter. The musicological editions increasingly aroused interest abroad, and Bärenreiter found itself on an expansion course.

When Karl Votterle died in 1975, his daughter Barbara took over the helm, supported by her husband Leonhard Scheuch. Under their leadership, the catalogue grew significantly and the brand BÄRENREITER URTEXT was established. Finally, in 2003, their son Clemens Scheuch joined the publisher which today he is managing together with his parents. Thus Bärenreiter has remained a family business to this day and has become a company of international standing in the world of classical music.

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