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Froberger, Johann Jacob: Keyboard and Organ Works from Copied Sources: New Sources, New Readings, New Works (Part 2) 3

complete edition

Edited by Rampe, Siegbert
Instrument: Keyboard
Instrumentatie: Org/piano/harpisc.
Perioada: Baroque
Greutate: 0.352 kg
Editor: Bärenreiter
Numar articol: BA9269
Numarul original al articolului la editor: BA09269
ISBN: 9790006540778
Johann Jacob Froberger (1617-67) enjoyed an outstanding reputation during his lifetime, as his compositional style represented a synthesis of Italian, French and English influences. There is now a growing awareness that Froberger's significance for keyboard music of the 17th century is comparable only with that of Jan Pieterszoon Sweelinck.
Each volume contains a critical commentary as well as a detailed foreword with sections on the scope and structure of the new edition, the editorial method and performance practice. Information on contemporary instruments, ornamentation and Froberger's biography is also included.
Both volumes VI.1 and VI.2 contain music from anonymous copies of the 17th century undoubtedly made from autograph manuscripts which were returned to the Singakademie in Berlin from Kiev in 2001. They also include further new discoveries of manuscripts and compositions.
The New Edition of the Complete Works will comprise a total of eleven volumes.
- Urtext scho larly-critical edition setting new standards
- Reflects the current state of research
- Music from the newly-discovered ' Kiev sources'
- Detailed explanatory notes (Ger/Eng)

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100 Years of Bärenreiter

In the autumn of 1923, a young man produced the first music editions of his newly founded publishing house in his parents’ living room. He named his company Bärenreiter. In the spring of 1924 when Karl Vötterle came of age, he was able to register it with the German Publishers and Booksellers Association. At first, he mainly put out folk song collections, church as well as organ music including early music by Leonhard Lechner and Heinrich Schütz, at the time primarily known in specialist circles.

During the last months of the Second World War, the publishing house in Kassel was destroyed and once more a fresh beginning had to be made. With the start of the extensive German music encyclopaedia MGG – "Musik in Geschichte und Gegenwart" – as well as numerous series of scholarly-critical complete editions such as the “New Mozart Edition” and the “New Bach Edition”, the visionary founder of the publisher created the basis for the further development of Bärenreiter. The musicological editions increasingly aroused interest abroad, and Bärenreiter found itself on an expansion course.

When Karl Votterle died in 1975, his daughter Barbara took over the helm, supported by her husband Leonhard Scheuch. Under their leadership, the catalogue grew significantly and the brand BÄRENREITER URTEXT was established. Finally, in 2003, their son Clemens Scheuch joined the publisher which today he is managing together with his parents. Thus Bärenreiter has remained a family business to this day and has become a company of international standing in the world of classical music.

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