Mendelssohn-Bartholdy, Felix: Mendelssohn, Symphony in A minor op. 56
score
The work was enthusiastically received at its premiere in Leipzig in March that year, and a second performance took place there two weeks later. In the short period between the two concerts, Mendelssohn fully revised the symphony, and this new version was the basis for the performance which he conducted in June 1842 in London. In 1843 Mendelssohn then authorised the work's publication.
The 'Scottish', which is often regarded as Mendelssohn's greatest contribution to the symphonic form, survives in several sources and Christopher Hogwood's critical new edition makes use of all of these. The preface contains valuable information and describes Mendelssohn's 12 year compositional process from the first impressions in hi s youth to a mature large-scale symphony.
The critical edition offers not only the well-known published version authorised by the composer in 1843, but also the London version of 1842. Both versions are presented in score and in performance material. Movements 1 and 4 are presented twice, in the 1842 and the 1843 version, whereas the small number of changes representing the 1842 London version are rendered in movements 2 and 3 as ossia staves in both score and parts.
- Includes the published version authorised by the composer and the London versions of the 1st and 4th movements
-With facsimile pages and informative foreword in English and German
In the autumn of 1923, a young man produced the first music editions of his newly founded publishing house in his parents’ living room. He named his company Bärenreiter. In the spring of 1924 when Karl Vötterle came of age, he was able to register it with the German Publishers and Booksellers Association. At first, he mainly put out folk song collections, church as well as organ music including early music by Leonhard Lechner and Heinrich Schütz, at the time primarily known in specialist circles.
During the last months of the Second World War, the publishing house in Kassel was destroyed and once more a fresh beginning had to be made. With the start of the extensive German music encyclopaedia MGG – "Musik in Geschichte und Gegenwart" – as well as numerous series of scholarly-critical complete editions such as the “New Mozart Edition” and the “New Bach Edition”, the visionary founder of the publisher created the basis for the further development of Bärenreiter. The musicological editions increasingly aroused interest abroad, and Bärenreiter found itself on an expansion course.
When Karl Votterle died in 1975, his daughter Barbara took over the helm, supported by her husband Leonhard Scheuch. Under their leadership, the catalogue grew significantly and the brand BÄRENREITER URTEXT was established. Finally, in 2003, their son Clemens Scheuch joined the publisher which today he is managing together with his parents. Thus Bärenreiter has remained a family business to this day and has become a company of international standing in the world of classical music.
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