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Dvořák, Antonín: Concerto

for Violoncello and Orchestra

piano score

Op. 104
Edited by Del Mar, Jonathan
Instrumentatie: Vc-solo/Fl1/Fl2(Fl-picc)/2 Ob/2 clarinet/2 bassoon/3 Hn/2 Trp/3 trombone/Tb/timpani/Tri/2 V/Va/Vc/double bass
Serie: Bärenreiter Urtext
Perioada: Romantic
Greutate: 0.358 kg
Editor: Bärenreiter
Numar articol: BA9045-90
Numarul original al articolului la editor: BA09045-90
ISBN: 9790006537631
Like every other great 19th-century solo concerto, Dvorák's famous Cello Concerto was a collaboration between composer and virtuoso. It has long been known that certain solo passages in Dvorák's autograph score were actually written by the cellist Hanuš Wihan, but Barenreiter's edition now reveals that some details in the orchestral parts are also in his writing, showing just how closely the two musicians were working together.
The editor Jonathan Del Mar has painstakingly examined all the surviving sources, including two that have hitherto been either ignored or crucially undervalued, in order to produce an authoritative edition which restores - for the first time since the original edition was published in 1896 - Dvorák's final and definitive version of the solo cello part. This differs, in details, in almost every bar from the version found in all other modern editions, while hundreds of corrections have also been made to the orchestral parts.
- With Dvorák's final and definit ive version of the solo cello part
- With hundreds of corrections in the solo cello part as well as the orchestral parts
- With hitherto unknown details regarding the collaboration between Dvorák and Wihan
- With Dvorák's original piano reduction
- With Feuermann's and Casals' alternatives to a passage in the first movement
100 Years of Bärenreiter

In the autumn of 1923, a young man produced the first music editions of his newly founded publishing house in his parents’ living room. He named his company Bärenreiter. In the spring of 1924 when Karl Vötterle came of age, he was able to register it with the German Publishers and Booksellers Association. At first, he mainly put out folk song collections, church as well as organ music including early music by Leonhard Lechner and Heinrich Schütz, at the time primarily known in specialist circles.

During the last months of the Second World War, the publishing house in Kassel was destroyed and once more a fresh beginning had to be made. With the start of the extensive German music encyclopaedia MGG – "Musik in Geschichte und Gegenwart" – as well as numerous series of scholarly-critical complete editions such as the “New Mozart Edition” and the “New Bach Edition”, the visionary founder of the publisher created the basis for the further development of Bärenreiter. The musicological editions increasingly aroused interest abroad, and Bärenreiter found itself on an expansion course.

When Karl Votterle died in 1975, his daughter Barbara took over the helm, supported by her husband Leonhard Scheuch. Under their leadership, the catalogue grew significantly and the brand BÄRENREITER URTEXT was established. Finally, in 2003, their son Clemens Scheuch joined the publisher which today he is managing together with his parents. Thus Bärenreiter has remained a family business to this day and has become a company of international standing in the world of classical music.

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