Vivaldi, Antonio: Kyrie
vocal/choral score
Although Vivaldi's 'Gloria' (BA 8953) was written for solo voices and mixed choir, it is likely that it was performed at the girls' orphanage with female voices only. Taking this into account, Malcolm Bruno's careful arrangement for choir SSAA is of some relevance. The work, when set for female voices or children's choir, remains a true masterpiece.
The 'Kyrie' RV 587 (BA 8954)for two choirs and two string ensembles, as arranged here for female choir, displays its own charm. It can be performed together with the Gloria as a type of short mass.
Both arrangements are based on the recently published Urtext editions of these works. The piano reductions by editor Malcolm Bruno are easy to play and preserve the character of the works.
- Effective arrangements for female choir
- Forewords in English and German
- Straightforward, idiomatic piano reductions
- Kyrie and Gloria can be combined for performance
The orchestral parts for the original SATB version can be used for the performance of these arrangements.
In the autumn of 1923, a young man produced the first music editions of his newly founded publishing house in his parents’ living room. He named his company Bärenreiter. In the spring of 1924 when Karl Vötterle came of age, he was able to register it with the German Publishers and Booksellers Association. At first, he mainly put out folk song collections, church as well as organ music including early music by Leonhard Lechner and Heinrich Schütz, at the time primarily known in specialist circles.
During the last months of the Second World War, the publishing house in Kassel was destroyed and once more a fresh beginning had to be made. With the start of the extensive German music encyclopaedia MGG – "Musik in Geschichte und Gegenwart" – as well as numerous series of scholarly-critical complete editions such as the “New Mozart Edition” and the “New Bach Edition”, the visionary founder of the publisher created the basis for the further development of Bärenreiter. The musicological editions increasingly aroused interest abroad, and Bärenreiter found itself on an expansion course.
When Karl Votterle died in 1975, his daughter Barbara took over the helm, supported by her husband Leonhard Scheuch. Under their leadership, the catalogue grew significantly and the brand BÄRENREITER URTEXT was established. Finally, in 2003, their son Clemens Scheuch joined the publisher which today he is managing together with his parents. Thus Bärenreiter has remained a family business to this day and has become a company of international standing in the world of classical music.
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