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Vivaldi, Antonio: Kyrie

vocal/choral score

Transcribed by Bruno, Malcolm
Edited by Bruno, Malcolm/ Ritchie, Caroline
Instrument: Vocal
Instrumentatie: SSolo/ASolo/Mixed choir-SATB (Coro I + II)/Orch (Coro I + II): 2V/Va/Bc(Vc/double bass/Org)
Serie: Bärenreiter Urtext
Perioada: Baroque
Greutate: 0.111 kg
Editor: Bärenreiter
Numar articol: BA8950-90
Numarul original al articolului la editor: BA08950-90
ISBN: 9790006539758
Today the ' Gloria' RV 589 (BA 7674) is one of Vivaldi's best-known compositions and one of the mostfrequently performed sacred vocal works from the Baroque period. Vivaldi wrote the 'Gloria' as a self-contained work in the style of a concertante mass. However, it was probably also performed within church services. The scoring of the solo voices (SSA) suggests that the work was written during his period at the Ospedale della Pietŕ, around 1716. In the twelve movements of the 'Gloria', Vivaldi displays the whole range of his mastery from festive, sublime outer movements to tender, transparently scored solo passages.

The same mastery has also been applied to the 'Kyrie' RV 587 (BA 8950), scored for two choirs and two groups of stringed instruments. The date of its composition remains unclear. It is a purely a choral work without solo passages.

Both works can be performed independently but can also be combined as a kind of short mass. Although the authenticity of the autog raph manuscript score is beyond doubt, these new editions contain some re-evaluations in phrasing and performance practice which go beyond what other editions have to offer. The piano reductions are straightforward, clearly presented and preserve the character of the works.
- Attractive choral pieces which can be combined to form a short mass
- Vocal score as well as choral score available for the 'Gloria'
- Informative foreword (Ger/Eng)

100 Years of Bärenreiter

In the autumn of 1923, a young man produced the first music editions of his newly founded publishing house in his parents’ living room. He named his company Bärenreiter. In the spring of 1924 when Karl Vötterle came of age, he was able to register it with the German Publishers and Booksellers Association. At first, he mainly put out folk song collections, church as well as organ music including early music by Leonhard Lechner and Heinrich Schütz, at the time primarily known in specialist circles.

During the last months of the Second World War, the publishing house in Kassel was destroyed and once more a fresh beginning had to be made. With the start of the extensive German music encyclopaedia MGG – "Musik in Geschichte und Gegenwart" – as well as numerous series of scholarly-critical complete editions such as the “New Mozart Edition” and the “New Bach Edition”, the visionary founder of the publisher created the basis for the further development of Bärenreiter. The musicological editions increasingly aroused interest abroad, and Bärenreiter found itself on an expansion course.

When Karl Votterle died in 1975, his daughter Barbara took over the helm, supported by her husband Leonhard Scheuch. Under their leadership, the catalogue grew significantly and the brand BÄRENREITER URTEXT was established. Finally, in 2003, their son Clemens Scheuch joined the publisher which today he is managing together with his parents. Thus Bärenreiter has remained a family business to this day and has become a company of international standing in the world of classical music.

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