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Martin, Frank: Mass for Double Choir a cappella

SATB

vocal/choral score

Edited by Wissemann, Antje
Instrument: Mixed Voices
Instrumentatie: 2Mixed choir-SATB
Serie: Bärenreiter Urtext
Gen: Choral Work
Limba: English, German
Greutate: 0.227 kg
Editor: Bärenreiter
Numar articol: BA7594
Numarul original al articolului la editor: BA07594
ISBN: 9790006543052

Frank Martin's style of composition is characterised by elements of French Impressionism, modern tonality and expressive musical language. His Double Choir A Cappella Mass was composed between 1922 and1926 but it was not performed until 1963 in Hamburg. It has been a great favourite with capable choirs since its first publication by B&auml,renreiter in 1972 (BA 5419). It can be performed equally well in the concert hall and thechurch.

This first ever Urtext ed

100 Years of Bärenreiter

In the autumn of 1923, a young man produced the first music editions of his newly founded publishing house in his parents’ living room. He named his company Bärenreiter. In the spring of 1924 when Karl Vötterle came of age, he was able to register it with the German Publishers and Booksellers Association. At first, he mainly put out folk song collections, church as well as organ music including early music by Leonhard Lechner and Heinrich Schütz, at the time primarily known in specialist circles.

During the last months of the Second World War, the publishing house in Kassel was destroyed and once more a fresh beginning had to be made. With the start of the extensive German music encyclopaedia MGG – "Musik in Geschichte und Gegenwart" – as well as numerous series of scholarly-critical complete editions such as the “New Mozart Edition” and the “New Bach Edition”, the visionary founder of the publisher created the basis for the further development of Bärenreiter. The musicological editions increasingly aroused interest abroad, and Bärenreiter found itself on an expansion course.

When Karl Votterle died in 1975, his daughter Barbara took over the helm, supported by her husband Leonhard Scheuch. Under their leadership, the catalogue grew significantly and the brand BÄRENREITER URTEXT was established. Finally, in 2003, their son Clemens Scheuch joined the publisher which today he is managing together with his parents. Thus Bärenreiter has remained a family business to this day and has become a company of international standing in the world of classical music.

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