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Reger, Max: Sacred Choral Music a cappella

vocal/choral score

Edited by Chizzali, Michael
Instrument: Mixed Voices
Instrumentatie: Mixed choir-SATB
Serie: Bärenreiter Urtext
Nivel: 3
Greutate: 0.289 kg
Editor: Bärenreiter
Numar articol: BA7549
Numarul original al articolului la editor: BA07549
ISBN: 9790006561070
2016 marks the first centenary of the death of Max Reger. In addition to his best-known field of creativity ╩ organ music ╩ his choral compositions form another major part of his oeuvre. This edition contains a selection of his sacred a cappella choral works. Their scoring, level of difficulty and length make them ideal for choirs who are wary of tackling the large-scale op. 110 motets. For the first time, the selection of works includes the previously unpublished ''Acht Grabgesänge'' (1900). Th

Continut

1.
Tantum ergo Sacramentum (1895)
2.
Maria Himmelsfreud! (1899-1900)
3.
Acht Grabgesänge (ca. 1900)
4.
Acht Marienlieder op. 61d (1901)
5.
Sechs Trauergesänge op. 61g (1901)
6.
Palmsonntagmorgen (1902)
7.
Vier Kirchengesänge (1904)
8.
Easter motet: Lasset uns den Herren preisen (1911)
9.
Abschiedslied (1914)
10.
Acht geistliche Gesänge op. 138 (1914)
100 Years of Bärenreiter

In the autumn of 1923, a young man produced the first music editions of his newly founded publishing house in his parents’ living room. He named his company Bärenreiter. In the spring of 1924 when Karl Vötterle came of age, he was able to register it with the German Publishers and Booksellers Association. At first, he mainly put out folk song collections, church as well as organ music including early music by Leonhard Lechner and Heinrich Schütz, at the time primarily known in specialist circles.

During the last months of the Second World War, the publishing house in Kassel was destroyed and once more a fresh beginning had to be made. With the start of the extensive German music encyclopaedia MGG – "Musik in Geschichte und Gegenwart" – as well as numerous series of scholarly-critical complete editions such as the “New Mozart Edition” and the “New Bach Edition”, the visionary founder of the publisher created the basis for the further development of Bärenreiter. The musicological editions increasingly aroused interest abroad, and Bärenreiter found itself on an expansion course.

When Karl Votterle died in 1975, his daughter Barbara took over the helm, supported by her husband Leonhard Scheuch. Under their leadership, the catalogue grew significantly and the brand BÄRENREITER URTEXT was established. Finally, in 2003, their son Clemens Scheuch joined the publisher which today he is managing together with his parents. Thus Bärenreiter has remained a family business to this day and has become a company of international standing in the world of classical music.

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