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Telemann, Georg Philipp: Nine Sonatas

First edition for 2 Flutes without Bass

playing score

Edited by Reipsch, Ralph-Jürgen
Instrumentatie: Fl1/Fl2
Serie: Bärenreiter Urtext
Perioada: Baroque
Greutate: 0.34 kg
Editor: Bärenreiter
Numar articol: BA5888
Numarul original al articolului la editor: BA05888
ISBN: 9790006526970

Though recovered as part of the long lost Sing-Akademie Berlin archives in 1999, these sonatas were first examined in 2002. Knowledge of their existence, or at least their presumed existence, is due to their partial use byJohann Joachim Quantz in his solfeggi for the Flute.

The sonatas, possibly composed sometime after 1730, are presented in a performing score format. As with Telemann’s other Flute music, the NineSonatas are equally suited for performance and

100 Years of Bärenreiter

In the autumn of 1923, a young man produced the first music editions of his newly founded publishing house in his parents’ living room. He named his company Bärenreiter. In the spring of 1924 when Karl Vötterle came of age, he was able to register it with the German Publishers and Booksellers Association. At first, he mainly put out folk song collections, church as well as organ music including early music by Leonhard Lechner and Heinrich Schütz, at the time primarily known in specialist circles.

During the last months of the Second World War, the publishing house in Kassel was destroyed and once more a fresh beginning had to be made. With the start of the extensive German music encyclopaedia MGG – "Musik in Geschichte und Gegenwart" – as well as numerous series of scholarly-critical complete editions such as the “New Mozart Edition” and the “New Bach Edition”, the visionary founder of the publisher created the basis for the further development of Bärenreiter. The musicological editions increasingly aroused interest abroad, and Bärenreiter found itself on an expansion course.

When Karl Votterle died in 1975, his daughter Barbara took over the helm, supported by her husband Leonhard Scheuch. Under their leadership, the catalogue grew significantly and the brand BÄRENREITER URTEXT was established. Finally, in 2003, their son Clemens Scheuch joined the publisher which today he is managing together with his parents. Thus Bärenreiter has remained a family business to this day and has become a company of international standing in the world of classical music.

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