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Berlioz, Hector: The Childhood of Christ

Sacred Trilogy

vocal/choral score

Op. 25
Edited by Lloyd-Jones, David
Transcribed by Wernhard, Eike
Translated by Macdonald, Hugh
Instrument: Vocal
Instrumentatie: SSolo/2TSolo/BarSolo/3BSolo/Mixed choir: SSAATTBB/2Fl/2Ob/2clarinet/2bassoon/2Hn/2Trp/2Pist/3trombone/timpani/harp/Org/Harmm/Str
Serie: Bärenreiter Urtext
Perioada: Romantic
Nivel: 3
Greutate: 0.352 kg
Editor: Bärenreiter
Numar articol: BA5451-73
Numarul original al articolului la editor: BA05451-73
ISBN: 9790006505364
The genesis of L'enfance du Christ was unusual for Berlioz, since he normally had a plan of his larger works in mind before he began writing. The work is divided into three parts, part two La fuite en Égypte (The Flight into Egypt), was composed in the autumn of 1850 and first performed in full in Leipzig in December 1853. The success of this led Berlioz to undertake a sequel, L'arrivée a Saďs (The Arrival at Saďs), which he finished in April 1854. He then began work on the opening panel of the triptych, Le songe d'Hérode (Herod's Dream), which he completed on 27 July 1854. Berlioz himself wrote the text for all three parts.
100 Years of Bärenreiter

In the autumn of 1923, a young man produced the first music editions of his newly founded publishing house in his parents’ living room. He named his company Bärenreiter. In the spring of 1924 when Karl Vötterle came of age, he was able to register it with the German Publishers and Booksellers Association. At first, he mainly put out folk song collections, church as well as organ music including early music by Leonhard Lechner and Heinrich Schütz, at the time primarily known in specialist circles.

During the last months of the Second World War, the publishing house in Kassel was destroyed and once more a fresh beginning had to be made. With the start of the extensive German music encyclopaedia MGG – "Musik in Geschichte und Gegenwart" – as well as numerous series of scholarly-critical complete editions such as the “New Mozart Edition” and the “New Bach Edition”, the visionary founder of the publisher created the basis for the further development of Bärenreiter. The musicological editions increasingly aroused interest abroad, and Bärenreiter found itself on an expansion course.

When Karl Votterle died in 1975, his daughter Barbara took over the helm, supported by her husband Leonhard Scheuch. Under their leadership, the catalogue grew significantly and the brand BÄRENREITER URTEXT was established. Finally, in 2003, their son Clemens Scheuch joined the publisher which today he is managing together with his parents. Thus Bärenreiter has remained a family business to this day and has become a company of international standing in the world of classical music.

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