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Bach, Johann Sebastian: Christmas Oratorio BWV 248

vocal/choral score

Edited by Blankenburg, Walter
Arranged by Dürr, Alfred
Instrument: Oratorios, Vocal
Instrumentatie: SSolo/ASolo/TSolo/BSolo/Mixed choir-SATB/2Fl/2Ob(2Ob-dam)/2Ob-dacc/2Cor-dacc/3Trp/timpani/2V/Va/Bc(bassoon/Vc/Vo/Org)
Serie: Bärenreiter Urtext
Perioada: Baroque
Limba: English, German
Nivel: 4
Greutate: 0.68 kg
Editor: Bärenreiter
Numar articol: BA5014-90
Numarul original al articolului la editor: BA05014-90
ISBN: 9790006461660
Bach's Christmas Oratorio, composed in 1734, narrates the story of the birth of Jesus in a cycle of six cantatas with a text probably by Christian Friedrich Henrici (known as Picander) who provided several libretti for Bach during his Leipzig period.
Like the St. Matthew and St. John Passions, the Christmas Oratorio is narrated by an Evangelist and includes devices from Italian opera such as the recitative and aria. It was written to be performed during the thirteen days of Christmas of the Lutheran Church calendar (25 December - 6 January) allowing the wondrous story of the Gospel to gradually unfold.
100 Years of Bärenreiter

In the autumn of 1923, a young man produced the first music editions of his newly founded publishing house in his parents’ living room. He named his company Bärenreiter. In the spring of 1924 when Karl Vötterle came of age, he was able to register it with the German Publishers and Booksellers Association. At first, he mainly put out folk song collections, church as well as organ music including early music by Leonhard Lechner and Heinrich Schütz, at the time primarily known in specialist circles.

During the last months of the Second World War, the publishing house in Kassel was destroyed and once more a fresh beginning had to be made. With the start of the extensive German music encyclopaedia MGG – "Musik in Geschichte und Gegenwart" – as well as numerous series of scholarly-critical complete editions such as the “New Mozart Edition” and the “New Bach Edition”, the visionary founder of the publisher created the basis for the further development of Bärenreiter. The musicological editions increasingly aroused interest abroad, and Bärenreiter found itself on an expansion course.

When Karl Votterle died in 1975, his daughter Barbara took over the helm, supported by her husband Leonhard Scheuch. Under their leadership, the catalogue grew significantly and the brand BÄRENREITER URTEXT was established. Finally, in 2003, their son Clemens Scheuch joined the publisher which today he is managing together with his parents. Thus Bärenreiter has remained a family business to this day and has become a company of international standing in the world of classical music.

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