Haydn, Franz Joseph: La fedelta premiata Hob. XXVIII:10
Dramma pastorale giocoso in three acts
vocal/choral score
(Haydn to the publisher Artaria )
In November 1779 the opera house at Schloss Eszterháza burned to the ground and was replaced by a splendid new one, and for its opening Haydn composed the dramma pastorale giocoso 'La fedeltŕ premiata '.
However, the building was not completed in time for the autumn 1780 season, so that the premiere could not take place until 25 February 1781 - which did nothing to harm the extraordinary success of the work (36 further performances in Eszterháza alone!). Haydn himself was justly proud of the enchanting pastoral with its buffo-like complications of the three pairs of lovers, for which he struck an incomparably cheerful note, and he underlined the few serious themes in the story with delicate, dark colours.
The new vocal score is based on Vol. XXV/10 of the Haydn Edition, an appendix contains all the variants to the authentic parts of Celia and Nerina .
In the autumn of 1923, a young man produced the first music editions of his newly founded publishing house in his parents’ living room. He named his company Bärenreiter. In the spring of 1924 when Karl Vötterle came of age, he was able to register it with the German Publishers and Booksellers Association. At first, he mainly put out folk song collections, church as well as organ music including early music by Leonhard Lechner and Heinrich Schütz, at the time primarily known in specialist circles.
During the last months of the Second World War, the publishing house in Kassel was destroyed and once more a fresh beginning had to be made. With the start of the extensive German music encyclopaedia MGG – "Musik in Geschichte und Gegenwart" – as well as numerous series of scholarly-critical complete editions such as the “New Mozart Edition” and the “New Bach Edition”, the visionary founder of the publisher created the basis for the further development of Bärenreiter. The musicological editions increasingly aroused interest abroad, and Bärenreiter found itself on an expansion course.
When Karl Votterle died in 1975, his daughter Barbara took over the helm, supported by her husband Leonhard Scheuch. Under their leadership, the catalogue grew significantly and the brand BÄRENREITER URTEXT was established. Finally, in 2003, their son Clemens Scheuch joined the publisher which today he is managing together with his parents. Thus Bärenreiter has remained a family business to this day and has become a company of international standing in the world of classical music.
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