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Händel, Georg Friedrich: O praise the Lord with one consent

vocal/choral score

Edited by Hendrie, Gerald
Transcribed by Köhs, Andreas
Instrument: Vocal
Instrumentatie: SSolo/TSolo/TSolo/BSolo/Mixed choir-SATB/Ob/Str/Org
Serie: Bärenreiter Urtext
Perioada: Baroque
Nivel: 3
Greutate: 0.17 kg
Editor: Bärenreiter
Numar articol: BA4291-90
Numarul original al articolului la editor: BA04291-90
ISBN: 9790006532452
Handel's three anthems (My song shall be alway HWV 252, O come let us sing HWV 253, O praise the Lord HWV 254) were composed in 1717 and 1718 for Cannons, a country estate near to London. They take their nickname, the ' Chandos Anthems', from the owner of the estate, the First Duke of Chandos .
The three pieces are noteworthy for their festive character and their varied orchestral accompaniment. Handel borrows older material from his Italian period and his earlier works for the Chapel Royal in London - a standard procedure for this composer, who reused particularly successful pieces as starting points for his later works. The scoring for solo voices, chorus, oboe, strings, and continuo was tailored to the musical resources of the small country estate. Two additional recorders are needed for 'O come let us sing unto the Lord'.
The anthems present the Urtext from the 'Halle Handel Edition' and include uncomplicated and easy-to-play piano reductions. In addition to the original Eng lish words, the full scores and vocal scores also include a singing translation in German.

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In the autumn of 1923, a young man produced the first music editions of his newly founded publishing house in his parents’ living room. He named his company Bärenreiter. In the spring of 1924 when Karl Vötterle came of age, he was able to register it with the German Publishers and Booksellers Association. At first, he mainly put out folk song collections, church as well as organ music including early music by Leonhard Lechner and Heinrich Schütz, at the time primarily known in specialist circles.

During the last months of the Second World War, the publishing house in Kassel was destroyed and once more a fresh beginning had to be made. With the start of the extensive German music encyclopaedia MGG – "Musik in Geschichte und Gegenwart" – as well as numerous series of scholarly-critical complete editions such as the “New Mozart Edition” and the “New Bach Edition”, the visionary founder of the publisher created the basis for the further development of Bärenreiter. The musicological editions increasingly aroused interest abroad, and Bärenreiter found itself on an expansion course.

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