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Bach, Johann Sebastian: Suites, Partitas, Sonatas

playing score

Edited by Henstra, Siebe
Transcribed by Leonhardt, Gustav
Instrument: Harpsichord
Instrumentatie: harpisc./piano
Perioada: Baroque
Nivel: 6
Greutate: 0.583 kg
Editor: Bärenreiter
Numar articol: BA11820
Numarul original al articolului la editor: BA11820
ISBN: 9790006562602
'I think Bach would have forgiven me for embarking on these transcriptions. Whether he would have forgiven the way I did it is, of course, another matter.'' (Gustav Leonhardt) The harpsichordist, conductor and organist Gustav Leonhardt was considered a pioneer of historical performance practice. Between 1968 and 1978 he made harpsichord transcriptions of several of Bach’s compositions for unaccompanied violin or violoncello. Now these transcriptions are being made available to us by his pupil, t

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1.
Sonata in D minor after Sonata for Violin in G minor BWV 1001 [Bach, Johann Sebastian]
2.
Partita in G minor after Partita for Violin in D minor BWV 1004 [Bach, Johann Sebastian]
3.
Sonata in G major after Sonata for Violin in C major BWV 1005 [Bach, Johann Sebastian]
4.
Partita in A major after Partita for Violin in E major BWV 1006 [Bach, Johann Sebastian]
5.
Suite in E-flat major after Suite for Violoncello in E-flat major BWV 1010 [Bach, Johann Sebastian]
6.
Suite in C minor after Suite for Violoncello in C minor BWV 1011 [Bach, Johann Sebastian]
7.
Suite in D major after Suite for Violoncello D major BWV 1012 [Bach, Johann Sebastian]
8.
Allemande in A minor after Allemande from Partita for Flute in A minor BWV 1013 [Bach, Johann Sebastian]
9.
Sarabande in C minor after Sarabande from Suite for Lute in C minor BWV 997 [Bach, Johann Sebastian]
100 Years of Bärenreiter

In the autumn of 1923, a young man produced the first music editions of his newly founded publishing house in his parents’ living room. He named his company Bärenreiter. In the spring of 1924 when Karl Vötterle came of age, he was able to register it with the German Publishers and Booksellers Association. At first, he mainly put out folk song collections, church as well as organ music including early music by Leonhard Lechner and Heinrich Schütz, at the time primarily known in specialist circles.

During the last months of the Second World War, the publishing house in Kassel was destroyed and once more a fresh beginning had to be made. With the start of the extensive German music encyclopaedia MGG – "Musik in Geschichte und Gegenwart" – as well as numerous series of scholarly-critical complete editions such as the “New Mozart Edition” and the “New Bach Edition”, the visionary founder of the publisher created the basis for the further development of Bärenreiter. The musicological editions increasingly aroused interest abroad, and Bärenreiter found itself on an expansion course.

When Karl Votterle died in 1975, his daughter Barbara took over the helm, supported by her husband Leonhard Scheuch. Under their leadership, the catalogue grew significantly and the brand BÄRENREITER URTEXT was established. Finally, in 2003, their son Clemens Scheuch joined the publisher which today he is managing together with his parents. Thus Bärenreiter has remained a family business to this day and has become a company of international standing in the world of classical music.

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