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Debussy, Claude: Préludes for Piano (2me Livre)

score

Instrument: Pian
Nivel: 5
Publicat pentru prima data: 2021
Editor: Bärenreiter
Numar articol: BA10819
Numarul original al articolului la editor: BA10819
ISBN: 9790006529209
Three years after the publication of the first volume, the second volume of Debussy's Préludes was published in 1913. Here the music reflects the impressions of Stravinsky's music on the composer. In his new Urtext edition, the musicologist Thomas Kabisch who specialises in Debussy's piano music presents a reliable text based on the latest research findings and all known sources. The readings and editorial decisions are recorded in the Critical Commentary (Eng).
Fingering by pianist Martin Widmaier makes musical lines audible and supports the realisation of the desired sound. A clear and uncluttered engraving, a detailed Foreword as well as notes on pedalling (Ger/Eng) and a glossary (Fr/Ger/Eng) create the ideal prerequisites for the study of these pieces.
100 Years of Bärenreiter

In the autumn of 1923, a young man produced the first music editions of his newly founded publishing house in his parents’ living room. He named his company Bärenreiter. In the spring of 1924 when Karl Vötterle came of age, he was able to register it with the German Publishers and Booksellers Association. At first, he mainly put out folk song collections, church as well as organ music including early music by Leonhard Lechner and Heinrich Schütz, at the time primarily known in specialist circles.

During the last months of the Second World War, the publishing house in Kassel was destroyed and once more a fresh beginning had to be made. With the start of the extensive German music encyclopaedia MGG – "Musik in Geschichte und Gegenwart" – as well as numerous series of scholarly-critical complete editions such as the “New Mozart Edition” and the “New Bach Edition”, the visionary founder of the publisher created the basis for the further development of Bärenreiter. The musicological editions increasingly aroused interest abroad, and Bärenreiter found itself on an expansion course.

When Karl Votterle died in 1975, his daughter Barbara took over the helm, supported by her husband Leonhard Scheuch. Under their leadership, the catalogue grew significantly and the brand BÄRENREITER URTEXT was established. Finally, in 2003, their son Clemens Scheuch joined the publisher which today he is managing together with his parents. Thus Bärenreiter has remained a family business to this day and has become a company of international standing in the world of classical music.

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