This work, composed in 1878/79, alternates between chamber music intimacy and symphonic opulence, and marks the beginning of a series of significant late works by César Franck. Its composition was partly prompted by the successfulperformance of Franck's youthful piano trios at the Société nationale de musique (founded in 1871), and probably also by a composition competition for works using this instrumental combination whose deadline Franck then went on tomiss. The Quintet was received coolly at