Ganapes, John – Roos, David: Jazzin' The Blues
A Complete Guide To Learning The Jazz-Blues Guitar
Sheet music and online contents
Zawartość | ||
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1. | Introduction | |
2. | Tuning | |
3. | Basic Theory Review | |
4. | Lesson 1: Seventh chord structres; chord-scales; sixth-string positing; making lines from chord shapes | |
5. | 'Old Time Blues' Accompaniment | |
6. | 'Old Time Blues' | |
7. | Lesson 2: More seventh chord structures; fifth-string posting; making melodies from chord-scale shapes | |
8. | 'Cool Shade' Accompaniment | |
9. | 'Cool Shade' | |
10. | Lesson 3: Another seventh chord structure; close voicings; the VI chord; the ii-V-I progression; using smaller chord shapes in l | |
11. | 'Blues for Charlie' Accompaniment | |
12. | 'Blues for Charlie' | |
13. | Lesson 4: Building extended dominant chords; the relative minor substitute; changing chord quality; passing chors; chord hits | |
14. | 'Jazzin' the Blues' Accompaniment | |
15. | 'Jazzin' the Blues' | |
16. | Lesson 5: Extending the ii-V-I progression; inverting lines; minor seventh arpeggios | |
17. | 'Too, Too Smooth' Accompaniment | |
18. | 'Too, Too Smooth, Too' Accompaniment | |
19. | 'Too, Too Smooth' | |
20. | 'Too, Too Smooth,Too' | |
21. | Lesson 6: Secondary dominant chords; the V of V chord; the secondary ii-V; thirteenth chord arpeggios; extensions of chord-scale | |
22. | 'Hello, Mr. Christian' Accompaniment | |
23. | 'Hello, Mr. Christian' | |
24. | Lesson 7: Seventh chord types; extensions and alterations; approach tones; enclosure; thematic development | |
25. | 'Rising Blues' Accompaniment | |
26. | 'Too,Too Smooth, Revisited' | |
27. | 'Rising Blues' | |
28. | Lesson 8: Flat-five substitute; the bepop lick | |
29. | 'Punctuatin' the Blues' Accompaniment | |
30. | 'Swingin' Bop' Accompaniment | |
31. | 'Punctuatin' the Blues' | |
32. | 'Swingin Bop' | |
33. | Lesson 9: Harmonic rhythm; the I-VI-ii-V tournaround; the final chord; anticipation | |
34. | 'Let Me Tell You' Accompaniment | |
35. | 'Let Me Tell You' | |
36. | Lesson 10: Using scale harmonies; the walkup, harmonic consistency; chord melody, common tones | |
37. | 'From East to Wes' Accompaniment | |
38. | 'Up and Down the Block' Accompaniment | |
39. | 'From East to Wes' | |
40. | 'Up and Down the Block' | |
41. | Lesson 11: Minor blues harmony; a descending line; chord-scale choices; the diminished seventh arpeggio | |
42. | 'Alone at Midnight' Accompaniment | |
43. | 'Alone at Midnight' | |
44. | Lesson 12: Sideslipping; harmonic gravity; soloing over sideslips; popcorn licks | |
45. | 'For Mr. M' Accompaniment | |
46. | 'Mr. M Returns' Accompaniment | |
47. | 'For Mr. M' | |
48. | 'Mr. M Returns' | |
49. | Lesson 13: Relative major chord substitution; diminished chord resolutions; a minor turnaround; an altered chord-scale; octave p | |
50. | 'Three Ways to Say It' Accompaniment | |
51. | 'Three Ways to Say It' | |
52. | Lesson 14: The minor iv chord; harmonic sequencing; backcycling | |
53. | 'Drivin the Coast' Accompaniment | |
54. | 'Bluebird' Accompaniment | |
55. | 'Drivin the Coast' | |
56. | 'Bluebird' | |
57. | Lesson 15: Major blues harmony; major to minor shift; sixths and sevenths; more anticipation | |
58. | 'And I Quote' Accompaniment | |
59. | 'And I Quote' | |
60. | Chord Reference | |
61. | Where to Go from Here? | |
62. | Guitar Notation Legend |