Ganapes, John – Roos, David: Jazzin' The Blues
A Complete Guide To Learning The Jazz-Blues Guitar
Sheet music and online contents
Contents | ||
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| 1. |
Introduction
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| 2. |
Tuning
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| 3. |
Basic Theory Review
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| 4. |
Lesson 1: Seventh chord structres; chord-scales; sixth-string positing; making lines from chord shapes
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| 5. |
'Old Time Blues' Accompaniment
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| 6. |
'Old Time Blues'
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| 7. |
Lesson 2: More seventh chord structures; fifth-string posting; making melodies from chord-scale shapes
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| 8. |
'Cool Shade' Accompaniment
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| 9. |
'Cool Shade'
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| 10. |
Lesson 3: Another seventh chord structure; close voicings; the VI chord; the ii-V-I progression; using smaller chord shapes in l
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| 11. |
'Blues for Charlie' Accompaniment
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| 12. |
'Blues for Charlie'
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| 13. |
Lesson 4: Building extended dominant chords; the relative minor substitute; changing chord quality; passing chors; chord hits
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| 14. |
'Jazzin' the Blues' Accompaniment
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| 15. |
'Jazzin' the Blues'
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| 16. |
Lesson 5: Extending the ii-V-I progression; inverting lines; minor seventh arpeggios
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| 17. |
'Too, Too Smooth' Accompaniment
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| 18. |
'Too, Too Smooth, Too' Accompaniment
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| 19. |
'Too, Too Smooth'
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| 20. |
'Too, Too Smooth,Too'
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| 21. |
Lesson 6: Secondary dominant chords; the V of V chord; the secondary ii-V; thirteenth chord arpeggios; extensions of chord-scale
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| 22. |
'Hello, Mr. Christian' Accompaniment
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| 23. |
'Hello, Mr. Christian'
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| 24. |
Lesson 7: Seventh chord types; extensions and alterations; approach tones; enclosure; thematic development
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| 25. |
'Rising Blues' Accompaniment
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| 26. |
'Too,Too Smooth, Revisited'
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| 27. |
'Rising Blues'
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| 28. |
Lesson 8: Flat-five substitute; the bepop lick
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| 29. |
'Punctuatin' the Blues' Accompaniment
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| 30. |
'Swingin' Bop' Accompaniment
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| 31. |
'Punctuatin' the Blues'
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| 32. |
'Swingin Bop'
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| 33. |
Lesson 9: Harmonic rhythm; the I-VI-ii-V tournaround; the final chord; anticipation
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| 34. |
'Let Me Tell You' Accompaniment
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| 35. |
'Let Me Tell You'
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| 36. |
Lesson 10: Using scale harmonies; the walkup, harmonic consistency; chord melody, common tones
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| 37. |
'From East to Wes' Accompaniment
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| 38. |
'Up and Down the Block' Accompaniment
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| 39. |
'From East to Wes'
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| 40. |
'Up and Down the Block'
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| 41. |
Lesson 11: Minor blues harmony; a descending line; chord-scale choices; the diminished seventh arpeggio
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| 42. |
'Alone at Midnight' Accompaniment
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| 43. |
'Alone at Midnight'
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| 44. |
Lesson 12: Sideslipping; harmonic gravity; soloing over sideslips; popcorn licks
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| 45. |
'For Mr. M' Accompaniment
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| 46. |
'Mr. M Returns' Accompaniment
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| 47. |
'For Mr. M'
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| 48. |
'Mr. M Returns'
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| 49. |
Lesson 13: Relative major chord substitution; diminished chord resolutions; a minor turnaround; an altered chord-scale; octave p
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| 50. |
'Three Ways to Say It' Accompaniment
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| 51. |
'Three Ways to Say It'
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| 52. |
Lesson 14: The minor iv chord; harmonic sequencing; backcycling
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| 53. |
'Drivin the Coast' Accompaniment
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| 54. |
'Bluebird' Accompaniment
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| 55. |
'Drivin the Coast'
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| 56. |
'Bluebird'
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| 57. |
Lesson 15: Major blues harmony; major to minor shift; sixths and sevenths; more anticipation
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| 58. |
'And I Quote' Accompaniment
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| 59. |
'And I Quote'
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| 60. |
Chord Reference
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| 61. |
Where to Go from Here?
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| 62. |
Guitar Notation Legend
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