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Mozart, Wolfgang Amadeus: Requiem

facsimile

Edited by Brosche, Günter
Period: Classic
Zasięg: 235 stron
Waga: 1.667 kg
Wydawca: Bärenreiter
Numer katalogowy: BVK2346
Inne : BVK02346
ISMN: 9783761811382
Mozart's Requiem
Truth and Legend
Mozart's 'Requiem' is fraught with questions and emotions:
the expressive depth of its music, sorrow at the great composer's early death, truth and legend, fragments and attempts to complete the work.
The surviving manuscript reflects its dramatic history:
Mozart's handwriting often appears on the same page as inscriptions by Süssmayr and others. One corner of a page with Mozart's final musical thoughts was later stolen, but an old photograph bears witness to it.
This high-quality new facsimile presents each page individually trimmed to convey a vivid impression of the original.
Besides a detailed description of the manuscript by Günter Brosche, the volume contains a Foreword by Christoph Wolff depicting the work's genesis.
BaRENREITER FACSIMILE
The seal is used exclusively for facsimile editions published by Barenreiter which meet the highest demands in both scholarly and technical terms.
The distinguishing features inclu de:
- a facsimile in high-quality colour printing
- scholarly commentary
- attractive cover design
100 Years of Bärenreiter

In the autumn of 1923, a young man produced the first music editions of his newly founded publishing house in his parents’ living room. He named his company Bärenreiter. In the spring of 1924 when Karl Vötterle came of age, he was able to register it with the German Publishers and Booksellers Association. At first, he mainly put out folk song collections, church as well as organ music including early music by Leonhard Lechner and Heinrich Schütz, at the time primarily known in specialist circles.

During the last months of the Second World War, the publishing house in Kassel was destroyed and once more a fresh beginning had to be made. With the start of the extensive German music encyclopaedia MGG – "Musik in Geschichte und Gegenwart" – as well as numerous series of scholarly-critical complete editions such as the “New Mozart Edition” and the “New Bach Edition”, the visionary founder of the publisher created the basis for the further development of Bärenreiter. The musicological editions increasingly aroused interest abroad, and Bärenreiter found itself on an expansion course.

When Karl Votterle died in 1975, his daughter Barbara took over the helm, supported by her husband Leonhard Scheuch. Under their leadership, the catalogue grew significantly and the brand BÄRENREITER URTEXT was established. Finally, in 2003, their son Clemens Scheuch joined the publisher which today he is managing together with his parents. Thus Bärenreiter has remained a family business to this day and has become a company of international standing in the world of classical music.

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