Bärenreiter Piano Album. Vienna Classic
playing score
Easy to moderately difficult pieces by Haydn, Mozart and Beethoven the three great classics of the '' Viennese School '' form the main focus of this album. But these three ’greats’ were not the only composers to leave animprint on piano music between 1760 and 1827.
Accordingly, this collection also contains appealing pieces by Mozart’s pupils Thomas Attwood and Johann Nepomuk Hummel and the composer-publisher Anton Diabelli . Works by suchcontemporaries as Anton Benda, Daniel G. Tür
Zawartość | ||
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1. | Adagio In C [Mozart, Wolfgang Amadeus] | |
2. | Allegro In C (Sonatine No.2) [Attwood, Thomas] | |
3. | Allegro In E Flat [Bach, Johann Christoph Friedrich] | |
4. | Allegro in G [Haydn, Joseph] | |
5. | Andante In G (Sonate Op.25 No.6) [Clementi, Muzio] | |
6. | Arietta In B [Türk, Daniel Gottlob] | |
7. | Bagatelle In B Flat Op.119 No.11 [Beethoven, Ludwig Van] | |
8. | Dialogue Taquin [Hummel, Johann Nepomuk] | |
9. | Fantasie In D Minor [Mozart, Wolfgang Amadeus] | |
10. | Fur Elise [Beethoven, Ludwig Van] | |
11. | Larghetto Amoroso In C [Türk, Daniel Gottlob] | |
12. | Menuett In A [Schubert, Franz] | |
13. | Rondo Alla Turca (Sonata In A K.331) [Mozart, Wolfgang Amadeus] | |
14. | Rondo in F (Sonatine Op.168 No.1) [Diabelli, Anton] | |
15. | Rondo In F [Hook, James] | |
16. | Sechs Variationen In F [Beethoven, Ludwig Van] | |
17. | Sonata Quasi Una Fantasia Op. 27, No. 2 (Moonlight Sonata) [Beethoven, Luwig Van] | |
18. | Sonate In C [Haydn, Joseph] | |
19. | Sonatina In D [Benda, Jiri Anton] | |
20. | Sonatine In G [Attwood, Thomas] | |
21. | Vier Deutsche Tänze [Haydn, Joseph] | |
22. | Waltz In A [Field, John] |
In the autumn of 1923, a young man produced the first music editions of his newly founded publishing house in his parents’ living room. He named his company Bärenreiter. In the spring of 1924 when Karl Vötterle came of age, he was able to register it with the German Publishers and Booksellers Association. At first, he mainly put out folk song collections, church as well as organ music including early music by Leonhard Lechner and Heinrich Schütz, at the time primarily known in specialist circles.
During the last months of the Second World War, the publishing house in Kassel was destroyed and once more a fresh beginning had to be made. With the start of the extensive German music encyclopaedia MGG – "Musik in Geschichte und Gegenwart" – as well as numerous series of scholarly-critical complete editions such as the “New Mozart Edition” and the “New Bach Edition”, the visionary founder of the publisher created the basis for the further development of Bärenreiter. The musicological editions increasingly aroused interest abroad, and Bärenreiter found itself on an expansion course.
When Karl Votterle died in 1975, his daughter Barbara took over the helm, supported by her husband Leonhard Scheuch. Under their leadership, the catalogue grew significantly and the brand BÄRENREITER URTEXT was established. Finally, in 2003, their son Clemens Scheuch joined the publisher which today he is managing together with his parents. Thus Bärenreiter has remained a family business to this day and has become a company of international standing in the world of classical music.
