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Kaffeehausmusik

7 Arrangements for variable Instrumentation

score and parts

Transcribed by Breig, Bertold
Waga: 0.381 kg
Wydawca: Bärenreiter
Numer katalogowy: BA7661
ISMN: 9790006524150
A touch of melancholy, a bit of nostalgia, and enough schmaltz to keep the music audible over the clattering coffee cups: that's ' Kaffeehausmusik ', a style known and loved for a hundred years. Here young ensembles in particular will find welcome alternatives to classical literature. Pieces such as ' Fraulein Gerda ' and 'Mir tut Ruth gut' will add color and variety to every occasion. But even without an audience they're fun to play. The pieces are arranged for melody 1 (voice, violin, flute etc.), melody 2 (voice, violin, flute etc.), piano and bass, with suggestions for percussion accompaniment.
They hardly exist any more: the coffee-house pianists and tuxedoed gypsy violinists who used to play background music at coffee houses in the good old days. And what things they played! Of course there were the latest hits from operettas and the movies, even folk tunes, such as 'Cherry Season' or 'Dark Eyes'. And it goes without saying that classical and romantic music was heard as well: Dvorak's famous Humoresque is salon music in the best sense. Our collection is aimed at musicians who want to play in small groups, from duos to quintets.
The choice of instruments may vary, the only obligatory parts are Melody I (sung or played) and the Piano part, which can be replaced as need be by another melody instrument (e.g. a guitar). Melody II can join in, but it doesn't have to. The ensemble can be rounded off with bass (the part is written out) and drums (suggested patterns).
100 Years of Bärenreiter

In the autumn of 1923, a young man produced the first music editions of his newly founded publishing house in his parents’ living room. He named his company Bärenreiter. In the spring of 1924 when Karl Vötterle came of age, he was able to register it with the German Publishers and Booksellers Association. At first, he mainly put out folk song collections, church as well as organ music including early music by Leonhard Lechner and Heinrich Schütz, at the time primarily known in specialist circles.

During the last months of the Second World War, the publishing house in Kassel was destroyed and once more a fresh beginning had to be made. With the start of the extensive German music encyclopaedia MGG – "Musik in Geschichte und Gegenwart" – as well as numerous series of scholarly-critical complete editions such as the “New Mozart Edition” and the “New Bach Edition”, the visionary founder of the publisher created the basis for the further development of Bärenreiter. The musicological editions increasingly aroused interest abroad, and Bärenreiter found itself on an expansion course.

When Karl Votterle died in 1975, his daughter Barbara took over the helm, supported by her husband Leonhard Scheuch. Under their leadership, the catalogue grew significantly and the brand BÄRENREITER URTEXT was established. Finally, in 2003, their son Clemens Scheuch joined the publisher which today he is managing together with his parents. Thus Bärenreiter has remained a family business to this day and has become a company of international standing in the world of classical music.

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