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Mozart, Wolfgang Amadeus: Choir & Organ. Requiem K. 626. Arranged for soloists, choir and organ.

Transcribed by Focke, Martin
Instrument: Chór i instrument
Skład: SSolo/ASolo/TSolo/BSolo/Mixed choir-SATB/Org
Period: Classic
Stopień trudności: 3
Zasięg: 119 stron
Waga: 0.351 kg
Wydawca: Bärenreiter
Numer katalogowy: BA7518
Inne : BA07518
ISMN: 9790006526338

Mozart’s Requiem has entered the realm of myth. This is surely the best-known of all sacred choral works and is performed all over the world. Now a new version for solo voices, chorus and organ allows this legendarymasterpiece to be performed without orchestra, and thus without strain on the budget. The choral writing has been taken unaltered from the Urtext of the New Mozart Edition, while the organ part by Martin Focke adheres strictly tothe original orchestral writing. The result is a

Zawartość

1.
Requiem K.626
100 Years of Bärenreiter

In the autumn of 1923, a young man produced the first music editions of his newly founded publishing house in his parents’ living room. He named his company Bärenreiter. In the spring of 1924 when Karl Vötterle came of age, he was able to register it with the German Publishers and Booksellers Association. At first, he mainly put out folk song collections, church as well as organ music including early music by Leonhard Lechner and Heinrich Schütz, at the time primarily known in specialist circles.

During the last months of the Second World War, the publishing house in Kassel was destroyed and once more a fresh beginning had to be made. With the start of the extensive German music encyclopaedia MGG – "Musik in Geschichte und Gegenwart" – as well as numerous series of scholarly-critical complete editions such as the “New Mozart Edition” and the “New Bach Edition”, the visionary founder of the publisher created the basis for the further development of Bärenreiter. The musicological editions increasingly aroused interest abroad, and Bärenreiter found itself on an expansion course.

When Karl Votterle died in 1975, his daughter Barbara took over the helm, supported by her husband Leonhard Scheuch. Under their leadership, the catalogue grew significantly and the brand BÄRENREITER URTEXT was established. Finally, in 2003, their son Clemens Scheuch joined the publisher which today he is managing together with his parents. Thus Bärenreiter has remained a family business to this day and has become a company of international standing in the world of classical music.

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