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Martinu, Bohuslav: Concerto da Camera H 285 / Rhapsody-Concerto H 337 III/2/4

score

Skład: 4Instr-solo,Orch
Seria: The Bohuslav Martinu Complete Edition
Waga: 1.291 kg
Pierwsze wydanie: 2020
Wydawca: Bärenreiter
Numer katalogowy: BA10578-01
Inne : BA10578-01
ISMN: 9790260109056
The two concertos contained in this volume represent two different stylistic periods within Martinu's work. The "Concerto da Camera" (1941) is the last of his works inspired by the Baroque concerto grosso. The "Rhapsody-Concerto", composed eleven years later (1952), was the first work of his so-called "fantasia period", marked by a more open sense of form and an expansion of tonality. The edition of the "Concerto da Camera" shows, for the first time, the extent of Martinu's modifications to the work since its composition and publication, particularly to the solo violin part. The edition of the "Rhapsody-Concerto" takes into account previously unknown contemporary performance materials which have recently been discovered.
This volume of the Bohuslav Martinu Complete Edition (BMCE) is based on a wealth of text and music sources, in particular autographs and contemporary copies that were recognized by the composer and early performers of the works, as well as some first editions produc ed under the supervision of Martinu.
100 Years of Bärenreiter

In the autumn of 1923, a young man produced the first music editions of his newly founded publishing house in his parents’ living room. He named his company Bärenreiter. In the spring of 1924 when Karl Vötterle came of age, he was able to register it with the German Publishers and Booksellers Association. At first, he mainly put out folk song collections, church as well as organ music including early music by Leonhard Lechner and Heinrich Schütz, at the time primarily known in specialist circles.

During the last months of the Second World War, the publishing house in Kassel was destroyed and once more a fresh beginning had to be made. With the start of the extensive German music encyclopaedia MGG – "Musik in Geschichte und Gegenwart" – as well as numerous series of scholarly-critical complete editions such as the “New Mozart Edition” and the “New Bach Edition”, the visionary founder of the publisher created the basis for the further development of Bärenreiter. The musicological editions increasingly aroused interest abroad, and Bärenreiter found itself on an expansion course.

When Karl Votterle died in 1975, his daughter Barbara took over the helm, supported by her husband Leonhard Scheuch. Under their leadership, the catalogue grew significantly and the brand BÄRENREITER URTEXT was established. Finally, in 2003, their son Clemens Scheuch joined the publisher which today he is managing together with his parents. Thus Bärenreiter has remained a family business to this day and has become a company of international standing in the world of classical music.

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